A real CHANGE

Casual and formal on a trajectory to merge? This question is emerging both in research and when looking at consumer trends for clothing and fashion.

As part of the CHANGE project, one trajectory being explored is a return to clothing that is more versatile and less defined by occasion. In this exploration, a “mix and match” approach is being explored, which seems to resonate with a market in transition post-Covid.

Hugo Boss recently launched the knitted suit in cooperation with Woolmark, a new knitting technology with four-way stretch that makes the suit extremely versatile and enables the wearer a freedom of movement that most certainly allows for some leisure activity. At the same time leisure wear is becoming more formalized and an outdoor windbreaker now even has a place in a city setting, we heard during the recent IWTO Roundtable in Nuremberg in Germany, where Francesco Magri, Woolmark, talked about “the new suit”. He spoke about the “post streetwear” and affirmation of a “new” formal, and the return of conviviality and the “weekly” eveningwear.

We also saw an “urban hiking boot” being launched by Norwegian brand Alfa – which finds a place both to and from work, and hiking (click here to see the shoes). One could say athleisure (the merging of leisure and athletics) is further leaching into other aspects of our lives, which is echoed by the recently released State of Fashion report 2023, from Business of Fashion and McKinsey & Company, which alludes to this same change in mode of dress:

The recent report from Business of Fashion and McKinsey & Company

«Even before the pandemic and the hybrid-working paradigm of today, office attire was relaxing. Hoodies, jeans and sneakers became increasingly acceptable in many offices. Even banks and professional services firms — with entrenched suit and tie cultures — have acknowledged that office dress codes need modernizing. In 2019, Goldman Sachs announced a firm-wide flexible dress code, encouraging employees to use their judgment when deciding whether they should, or should not, ditch their suits for a more casual look.”

After the IWTO’s Round Table, the Secretary General, Dalena White, commented that this was a function of how people commute: On bikes and scooters, rather than in cars or over-crowded public transport. This means work-clothes need to adapt. But what then about women? Let’s return to the State of Fashion Report 2023, which highlights a new gender-fluidity as well:

“In women’s wardrobes, where dresses have long ruled both office and evening wear, a new take on the pant suit emerged in 2022. Labels such as J.Crew and The Frankie Shop showcased oversized suits and trousers in soft materials for customers looking for polished, fashionable but comfortable styles. Workwear label M.M. LaFleur has honed its ‘power casual’ category of structured knit tops and washable twill trousers. The brand said FORMALWEAR REINVENTED in early 2022 that its power casual styles were generating triple the sales of dresses that used to drive about a third of the company’s sales prior to the pandemic details that bridge formal and casual attire — such as formal cuts in comfortable materials that often incorporate performance fabrics, like sweat wicking or stretch — are also in high demand. For example, cashmere joggers from Burberry and Loro Piana or linen and crochet shirts from Jil Sander and Jigsaw can be dressed up or down depending on the occasion.”

Where does the shift in workwear leave formal wear? And how is the shift in more formalization of casual wear leave the whole idea of the need for very different clothes for different occasions, perhaps one of the main drivers in the current over-production of clothing? If your outdoor sports jacket also can be worn to work, if your work suit can be acceptable for leisure – why on earth would you need clothes that clearly signal formal or casual?

This opens up a whole new possibility to mix and match, combine a classic, formal jacket with jeans, or a wool sweater with a suit. Trends that have been emerging for quite some time – but are now taking hold.

Report from IWTO’s Round Table 2022

There seems to be renewed hope for strong wool and local production. Especially with a focus on regenerative grazing and looking at wool’s possible new (and perhaps old, but forgotten) applications.

Regenerative agriculture was a major topic at the IWTO’s Round Table in Nuremberg, Germany, and the possibility of natural fibers to make a positive contribution to climate sequestration, to biodiversity and to soil health. Heinz Zeller from Hugo Boss, said that by 2030, all natural fibers the fashion brand uses must either be from regenerative agriculture or recycled sources. UK-based Merino farmer Lesley Prior, who is helping to establish a Merino breed in several European countries with sheep that can withstand a varied climate, also spoke a lot about the theme. Prior has worked for many years with small brands in the UK, such as Finisterre. “In England they have very strict rules about what you have to report and measure,” she explained, impressing everyone with her knowledge and passion. “Remember your woolen clothes are carbon stocks,” said Prior, to eager applause.

Andy Caughey, Wool Impact, showed the decline in “strong wool” prices on the international market. (Photo: IWTO/Nickland Media)

For Polish and Norwegian wool, two lectures were of great interest. Andy Caughey, head of Wool Impact in New Zealand, aims to make “strong wool” – i.e. the same wool as Norwegian crossbred wool – “great again”. “Stop looking at the floor,” he said, referring in particular to the wall-to-wall carpets. It is all about finding new and better applications for this wool, alongside carpets and knitting yarns. Wool winter boots are an emerging market, following the footsteps of Allbirds, Kastel and many others. The new company, Wool Impact, is funded by the New Zealand government, and among the examples Caughey showed were wool band-aids (which are biodegradable), sound-absorbing panels, face masks, air filters and nappies and sanitary pads, all in wool and potentially biodegradable if disposed of in the right manner.

New Zealand, unlike Norway, does not have wool subsidies, so the cost of shearing the crossbred sheep is today higher than what the farmer receives for the wool. In connection with the use of wool in wall panels for sound absorption, a company in New Zealand had developed an additive based on a food supplement, to ensure their flame retardancy. Strict requirements for a material that is naturally flame retardant has been a headache for many, including those who supply woolen products to the military, fire brigades, police and aerospace.

Reina Oving, The Knitwit Stable in Holland, has captured the attention of the EU bureaucrats for her innovative use of Dutch wool. (Photo: IWTO/Nickland Media)

Reina Ovinge, from Holland, talked about her local wool project in Holland, The Knitwit Stable. She had worked in the fashion industry for many years, but got tired of the pressure on prices and the constant call for new collections. Although she only has 35 sheep and 35 goats, her work arouses great interest, also among EU bureaucrats, who have visited her set-up. The EU also has agreed to fund a knitting-machine, so that she can now produce clothing and other items on demand. This has led to capsule collection cooperation with Dutch fashion brands such as Scotch & Soda and Humanoid, small collections that command high prices. She has visited both Hillesvåg and Telespinn, she said, for inspiration.

We also heard about French wool (Roquefort cheese would not have had a place on shop shelves without sheep) which is mostly thrown away. France is very much struggling with the lack of a value chain for wool. We also heard about a new grazing project in the USA where the sheep graze in conjunction with solar panels, because the grass under these would otherwise have had to be cut by machines. Here, too, the topic was carbon capture, which Lesley Prior also repeated several times. She believes (but has no proof as of yet) that she is at least carbon neutral on her Tellenby Farm, perhaps even sequestering carbon. In addition, she used a reporting system called “Fair to Nature” which assesses the farm’s contribution to biodiversity every two years. And she isotope-labels the wool so that wherever it ends up, it can be traced back to her. Provenance was also something that several speakers claimed was increasingly important. In New Zealand, there is a labeling scheme that covers both the wool and the meat, New Zealand Farm Assured.

Lesley Prior had a bee in her bonnet about all that should be counted (with all the schemes and bureaucracy governing agriculture), what can be counted… and what actually counts. This is an ever-recurring discussion when it comes to regenerative agriculture, where what everyone can observe (birds chirping, bees buzzing) is probably as important as the measurement of carbon in the soil.

Lesley Prior, who breeds Merino sheep that thrive in Europe, gave one of the most compelling talks. (Photo: IWTO/Nickland Media)

Whether local European wool can be used better was not a major theme during the conference, but it did resurface, and especially related to manufacturing. Nuremberg, with its famous Christmas market in the old town, is Südwolle’s hometown and therefore also the scene of the conference this time, as they were the main sponsor. Südwolle and Schneider are competitors, but at the wool congress both companies agreed that they want more production in Europe, but are struggling to recruit labor.

The topic of whether it is one of the solutions to bring down the enormous increase in production, to move production back to where consumption takes place, rather than a pessimistic belief that we will have a thriving fiber-to-fiber recycling industry in the EU, has only just begun. Interestingly enough, in light of all the arrows pointing down for the apparel industry, in light of rising prices and inflation, there was one industry that was optimistic, and that was the factory machinery manufacturers. They envision that more people than Hugo Boss will knit – and more locally – based on what is called “just-in-time” production.

Ovinge had bought herself a Stoll knitting-machine with EU funding, as mentioned, others will probably follow suit.

Clothing Research contributes to new report on over-consumption

The Clothing Research Group, SIFO at OsloMet, has contributed to the recent Hot or Cool Institute report Unfit, Unfair, Unfashionable: Resizing Fashion for a Fair Consumption Space (download the report from Hot or Cool here). The contribution is in the form of a critique of EU’s textile strategy which was launched in March 2022.

The report Unfit, Unfair, Unfashionable: Resizing Fashion for a Fair Consumption Space goes far in mandating a “fair consumption space”, in an equity-based approach to reaching the climate target of 1,5-degrees. In sum, the authors have set a roof on how many items of clothing a person in the Global North can consume, at least on average, while allowing for an increase in consumption in the Global South.  Why? Well, while the richest 20% in the UK emit 83% above the 1.5-target, 74% of people in Indonesia live below sufficiency consumption levels of fashion, which is one of many eye-opening statistics in the report.

The report is highly relevant for the ongoing work in the project CHANGE. In the same way as this research project lifts the sight from the Global North and our overconsumption, and addresses the discussion of what constitutes a sufficient wardrobe. In CHANGE we will continue this work, however with a point of departure in clothing culture and tradition. Clothing is not only “fashion” or environmental footprint bad guys, they are also an important part of our culture and history.

It is mainly in “Box 6” that the clothing research team at Clothing Research have contributed, with a critique of the EU textile strategy. This is not related directly to a roof on consumption, but critiques the lack of policy instruments to make “fast fashion go out of fashion” in the words of Frans Timmermans.

Opportunities for improving the EU Strategy for Sustainable Textiles, as discussed in “Box 6” has one of the following more important take-aways: “Missing from the Strategy is the only real alternative to the global mass-producing industry: small-scale, local production. Textiles are very complex products, socially, aesthetically, functionally and technically. If overproduction continues, longer lifespan for textiles or other measures to increase the utilization rate for individual garments, will not substantially contribute to reduced emissions nor to lower environmental impacts. The measures mentioned in the strategy are not aimed at solving the main issue of overproduction and overconsumption, and are thus not enough for achieving the goals of sustainable and circular textiles.”

The report could, however, have stressed more concrete policy measures that actually stop the influx into the Global North market – which risks – if consumers follow the report’s advice – an abundance of un-sold goods. These are also the goods that the EU plan to forbid incinerating and maybe exporting to the Global South as “gifts”.  In the long run, however, the focus on less consumption can contribute to lower production and thereby also the environmental impact.

This is a key in the CHANGE project.