This study is about mining the past to better understand how we imagine and shape the future. The present report is a deliverable from Work Package 1: “Mine” in the research project IMAGINE: Contested Futures of Sustainability. WP1 aimed to construct a conceptual framework based on Paul Ricoeur’s study of the concept of imagination and to gather data about the imaginaries of the past. To identify dominant imaginaries, WP1 highlighted the diachronic nature of imaginaries to understand better how past, present and future times are interlinked and restrict or enable ways of thinking about the future. The Ricoeurian approach of imagination is the Ariadne’s thread of the conceptual part, while the empirical data follows the threefold consumption approach of IMAGINE focused on eating, dressing and moving. By combining theoretical and empirical perspectives, we developed a framework for the analysis of the data material, where self-reflection, reciprocity, dialogue, and re-figuration play a central role.
The study presents imaginaries found in at least 10 well-known movies, 10 renowned novels and cartoons, and 10 advertisements over the past generation, explicitly dealing with the sustainable future (30 in total). Furthermore, the report provides an analogous analysis of policy documents (white papers, strategy papers, policy reports) and business strategy documents from three time periods (1980-2000-2020) for each of our three cases of eating, dressing and moving (30 in total).
Increasing product longevity is seen as an effective way to reduce consumption within the circular economy. This paper explores narratives of product longevity, focusing on textiles, household appliances, and furniture as expressed by Norwegian business representatives and consumers. The study reveals dominant narratives of physical and emotional durability among businesses. Conversely, consumers emphasise managing consumption volumes and their relationship with products based on use contexts and life events. While both groups recognise the importance of physical durability, there’s a disconnect regarding how emotional attachment can be created between user and product, and the significance of production volumes. The study suggests that narratives of product longevity, shift focus from production to consumption, distancing from questions of volume and growth and that efforts should take ‘life durability’ of products into account when designing strategies and interventions aimed at extending product lifespans, including business models and policy directly targeting lower production volumes.
This note looks at knowledge transference between a country of high wool utilisation (Norway) and a country of low wool utilisation (Poland). The findings that are presented here, are collected through semi-structured interviews, via Zoom, in person and also with one written response. All interviewees were project partners. Economics and scale are important themes, especially for moving forward with better use of local wool. As identified in other projects, things need to happen in the right order and there must be an economic fundament that ensures a professionalism and not that what one does is done on a hobby basis. The skills gap is an important issue if there is to be a future for the wool industry in Europe, and this must be addressed at national and EU level, this is not something a project or industry can fix on their own.
Clothes must not only suit the user and the occasion but also be clean for us to be well dressed. The meaning of cleanliness and the methods to achieve this goal has changed throughout history, but it has been central in our clothing practices. In this chapter, we will show how the understanding of dirty and clean clothes and the work of keeping them clean has changed in the last 200 years. The starting point will be the laundry in Norway, but when we discuss the more current times, the global washing practices will be included. As important as these technical and aesthetic questions are the cultural aspect. How have the perceptions of what is clean and what is dirty changed, and what consequences does this have for being well-dressed and for the work with the laundry? We discuss the growth in the amount of laundry, and after the 1970s also the decline in finishing work, especially related to removing the wrinkles. The technical and aesthetic aspects are important, such as whiteness, stains, and not least, odors. The chapter concludes with a discussion of the environmental impacts of laundry, including consumption of water, chemicals, and energy, and spreading of microplastics.
The opening session at the Natural Fiber Connect conference in Biella, Italy at the very end of September, put the increasingly frequently mentioned elephant in the room center stage, namely overproduction and the plasticization that characterizes the textile industry.
The fact that the Italian Minister of the Environment opened the conference with a video greeting testifies to how important the textile industry is to the Italians, and not least how seriously they take the environmental problems that the same industry stands for. But in contrast to the industry as a whole, they have a great understanding that production, and particularly of synthetic materials, must be reduced considerably – which means more expensive textiles and more focus on natural fibres. This is music to the ears of the Italian industry, but also to natural fiber representatives who had gathered in Biella: cashmere, alpaca, wool, cotton and silk producers from farm level up to spinning mills, weaving mills and other industries.
Weighting the environmental burden
The key note speech was given by Veronica Bates-Kassatly. In contrast to Make The Label Count’s approach, which is currently persistently arguing that more parameters must be included in EU’s PEFCR, such as biodegradability, microplastics and renewability; Bates-Kassatly had the opposite approach. She believes that greenhouse gas emissions must be weighted much more (i.e. CO2 emissions in her argument), and that many of the 16 parameters that the EU’s Joint Research Center has decided should be included should be cut out or weighted much less. This includes water use and land use, two things which turns out to be unfortunate for natural fibres, but where the differences are large on a global basis so that average figures make very little sense. For example, a Norwegian sheep on open pasture will use huge areas of land to produce a few kilograms of wool, and this counts negatively.
Stand to increase plastics rather than decrease
A recent report from SIFO, the Plastic Elephant, followed Bates-Kassatly’s key note and the silk industry’s strong criticism of the data base for Higg and PEF (silk comes out as the worst fibre). The main message in the SIFO report is that a review of policy instruments, strategies from the industry and NGOs shows that to a very small extent they consider what can be done to reduce the volumes and not least to reduce the large increase over the last 40 years in synthetic materials and fast fashion. When the EU’s Textile Strategy wants to make “fast fashion out of fashion”, none of the tools in the toolbox are sufficient and, if anything, they will increase plasticisation. The report explains why, and the audience at the conference nodded their heads tellingly when the reasoning was explained.
The fact that the audience laughed out loud and applauded when the actual background for the Plastic Elephant report was presented at the start was, of course, liberating. This meant taking the audience back to the Copenhagen Fashion Summit in 2017, where the first Pulse report postulated that consumers must be persuaded to prefer synthetics to cotton; and where EcoAge’s Livia Firth asked H&M’s Helena Helmersson: “Why do you have to produce so much and constantly push new collections on consumers?” Helmersson replied that they are only doing what consumers want, to which Firth replied: “My children want sugar every single day, but do I give it to them? No.” The laughter resounded and a huge applause followed.
“Sugar” became the word of the day
The rest of the day, “sugar” was the word repeated over again, as equivalent with unhealthy consumption, and related to synthetics. Which means deplastification – also in the textile sector – may finally be on the agenda. To watch the whole morning session, go to this LinkedIn link. The Plastic Elephant report is easy to find here.
The Amsterdam Economic Board launches a learning journey for clothing companies to reduce their production volumes.
Amsterdam has been a pioneer in recognizing the limits of growth and the need to reduce consumption levels in policy. In 2020, Amsterdam was the first city in the world to commit to the principles of the Doughnut Economy framework, including the notion of sufficiency in consumption volumes. Other cities have followed, such as Brussels, Copenhagen, Berlin, and Cambridge. Although the impact of such strategic decisions on the overall consumption levels of the city is questionable, the fact that local public servants have included a focus on consumption volumes (what really matters to reduce the local impact of the sector) are remarkable.
On 27th September, in the context of the kickoff of the Amsterdam Economic Board’s program (a commission by the national Ministry of Infrastructure and Water Management), our OsloMet colleague Irene Maldini introduced the importance of setting production reduction targets to local companies in her talk “Taking sustainability to the next level: how and why to reduce production and consumption volumes in the clothing sector.” Building her argument on the lack of evidence of the efficacy of well-known strategies in reducing production volumes (such as product lifetime extension, reuse, and shared use), Irene called the audience to overcome fear of economic decline to implement measures that can help confronting overproduction and overconsumption in the sector.
Companies participating in the program are committing to reduce their own production by 5%, a target set by the Amsterdam Economic Board. Participants were left with a few questions to reflect on, such as: Where to start? How will the board, staff, and clients react? Who are the right partners, such as suppliers and retailers, to implement a sufficiency-based strategy? How to establish KPIs for production reductions?
The learning journey is only at the start, during the next three months participants will read relevant texts, carry out given activities at the company, and share their progress and struggle in four sessions. The number of companies engaged is limited. However, the fact that this program is a commission of a national government to promote a post growth mentality among local businesses is groundbreaking. In keeping a focus on production volumes reductions and setting a quantitative target in line with scientists’ advice, the Amsterdam Economic Board has dared to do what the European Commission has consistently avoided in the development of the EU Sustainable and Circular Textiles Strategy: to openly discuss production volumes, the elephant in the room, and further starting to show the elephant its way out.
Authors: Tone Rasch, Ingrid Haugsrud, Kirsi Laitala and Atle Wehn Hegnes
Abstract
Consumer practices related to how we use and take care of products have changed throughout history. Especially within clothing consumption, the changes have accelerated in the Twentieth Century. In this paper, we use thin nylon stockings for women as an example product to see how their value, use, care, and lifetimes have evolved. The material is based on a literature review on nylon stockings from 1940 to today, accompanied by an analysis of consumers’ written narratives from 1990 where people were asked to describe their use and memories of stockings and pantyhose. Our contemporary data is based on consumer focus groups on product lifetimes and plastic materials conducted in 2021 and 2022. The tight-fitting nylon stockings for women were launched around World War II by the American company DuPont. Cheap nylon substituted luxurious silk stockings and increased their popularity throughout the 1950s and 1960s. Around 1970, synthetic substances were devalued when fashion changed from elegance to more casual styles, and the political opposition to plastic as environmental damage and a symbol of the established society permeated the growing youth culture. Consequently, nylon stockings went out of fashion. Today, thin pantyhose is seen as disposable consumables with low value. Thin stockings represent a good example of how we value and take care of delicate items has a significant contribution to their lifetimes. Looking into the historical context is beneficial for learning about the points in time when changes occurred and how they contribute to consumer practices.
Authors: Irene Maldini, Vilde Haugrønning and Lucrecia de León
Abstract
This paper introduces the relevance of volume-centric research in studies of clothing use. The global production of garments has grown dramatically in recent decades, bringing along significant environmental challenges. However, knowledge is lacking about why people deal with clothing quantities in such varied ways, and what leads some of them to overconsumption. A review of wardrobe research methods shows that there are various approaches to studying garments going in, around, and out of wardrobes. Gathering qualitative insights about specific garments, such as favorite garments, has been quite common. However, in order to advance knowledge about clothing consumption volumes, it is important to look at the wardrobe as a whole and include quantitative aspects. This paper reflects on what approaches and techniques can be used to that end. The reflections are combined with lessons learned from a pilot wardrobe study conducted in Uruguay, Portugal and Norway in 2022 with 20 respondents, concluding with recommendations for volume-centric methods in future wardrobe studies. Rigorous accounts of all garments owned should be combined with registration of items going in and out of the wardrobe over time in order to link accumulation to production and waste volumes. Methods connecting garment quantities with practices of daily use are particularly valuable. One example that has proven successful is piling exercises, a technique where participants are invited to categorize garments in groups according to specific criteria.
This paper explores narratives of product longevity expressed by businesses and consumers, with the aim of illuminating and comparing ways in which the two stakeholder groups express their engagement with products in the context of prolonging their lifespans. We base our analysis on consumer focus groups and interviews with company representatives. Our focus is on textiles (incl. clothing) and furniture. We find that technical and emotional durability are the two dominant ways of understanding product longevity by company representatives. Consumers, however, tell a different story, of living with their things, of use, of time passing, and of life events triggering change. This is a context in which social and systemic factors play a large role in determining the lifespan of a product – factors that are external to the product itself. Although all can agree on the importance of technical durability, problems connected to excessive production volumes and how products feature in everyday life are avoided in narratives produced by business actors. We argue that corporate narratives of product longevity are diverting our attention away from production toward consumption, keeping questions of volume and growth at arm’s length. These conflict with consumer narratives of product longevity that grapple with the materiality of the things within the context of lived lives in a consumer economy.
Authors: Ingun Grimstad Klepp and Kerli Kant Hvass
Abstract
Among sustainable fashion and textile themes, product durability has recently come into focus within EU policy making. The dominant understanding is that increased textile lifespan will reduce environmental impacts, but this intrinsic link is not supported by research. The volume of clothing produced poses the greatest environmental burdens. Increased clothes availability leads to longer lifespan due to reduced utilization. To reduce the environmental impact of increased textile volumes measures should be expanded to encompass not only product design, life-prolonging, and end-of-life strategies, but also the volume of products to market. This concept paper contributes to the debate on how to address the growing amount of textile waste by applying the knowledge gained from consumer research regarding clothing use and proposing a regulatory measure called Targeted Producer Responsibility (TPR). The central method of TPR is waste analyses which relies on actual use – or non-use – of products as the starting point for eco-modulated fees. TPR reverses EPR and uses waste for overproduction knowledge, thus proposing a tool that can potentially reduce the total environmental impact of textiles.
