In a position paper from the Change and Wasted Textile projects, authors Kate Fletcher, Irene Maldini, Ingun Grimstad Klepp, Kirsi Laitala, Jens Måge and Tone Skårdal Tobiasson have addressed the background document from EU’s Joint Research Centre on Ecodesign for Sustainable Products Regulation (ESPR).
The main theme in the position paper, is that the JRC document Preliminary study on new product priorities lays the basis to increase environmental burdens rather than reduce these. Therefore, in the paper, the authors ask that the work with the ESPR incorporates more empirical understanding about ecodesign, clothing consumption, and textile and fashion design. This in order that the directive will have the effect of reduced environmental burdens (including on climate) and will minimize inappropriate or unintended side effects.
The aim in writing the paper is to support the ESPR process for textiles and footwear in fostering deep and lasting environmental change.
The authors applaud the efforts of the EU in regulating the textile and footwear sector and agree in the priority that has been assigned to clothing and footwear on the bases of high consumption volumes in the EU, potential environmental improvements, and lack of previous regulation. However, it is the view of the authors that the current work with the Ecodesign Directive is based on some assumptions that are not in line with the knowledge that is there, nor is it targeted towards the main and interconnected challenges in clothing and textiles: overproduction and the increasing plasticization of the material content of products.
These two factors are interconnected due to the fact that an increase in production is not possible without the cheap, easily available fossil fuel-based raw material for fibres, materials, dyes and other processing chemicals.
It is therefore questionable whether textiles and footwear should actually be the initial priority for ESPR. Perhaps starting with cement would be better.
Sufficiency advocates from different sectors came together on May 4th at the Sufficiency Summit.
Co-organised by Sciences Po (France) and University of South Australia, and chaired by Dr. Yamina Saheb and Professor David Ness, the Summit brought together governments, NGOs, and academics advocating for sufficiency in transport, the built environment, food, and clothing from different locations globally.
Irene Maldini, a researcher in the Change project at Consumption Research Norway (SIFO) at OsloMet participated in the panel about sufficiency and clothing, chaired by Katia Vladimirova from the University of Geneva. Samira Iran (Berlin Technical University) and Yayra Agbofah (Ghana-based NGO The Revival) also contributed. The key note for this part of the summit, was delivered by Lindita Xhaferi Salihu.
Irene Maldini (left) and Katia Vladimirova.
The session exposed attendees active in other sectors to research on individual initiatives to reduce textile and clothing consumption in the Global North, the problematic impact of growing volumes of imported second hand textiles in Ghana, and progress and resistance to include production volumes reductions measures in contemporary environmental policy for clothing and textiles. Maldini pointed specifically to the lack of attention to volumes in the policy measures.
Overall, the event placed great emphasis on inequality of resource consumption across the globe and the inefficiency of the market as a system to cover people’s needs. There was an overall consensus that stronger policy interventions are needed to enable reasonable levels of consumption across the globe, and that individual actions will follow.
Holding on or letting go? Why don’t consumers complain more? Why do we hang on to stuff that is flawed? How to make fast fashion out of fashion and actually degrow the textile sector? All these questions will be answered at the PLATE conference at Aalto University, in Espoo, Finland.
At the end of May and beginning of June, Consumption Research Norway SIFO at Oslo Metropolitan University will partake in the biannual PLATE (Product Lifetimes and The Environment) conference with a full menu of all in all six papers, and all in all four presenting findings from LASTING, where one is by authors from the Norwegian University of Science and Technology.
The project Change will also be presented with volumes of consumption as the appetizer. Studying clothing consumption volumes through wardrobe studies: a methodological reflection is written by Irene Maldini, Vilde Haugrønning and Lucrecia de León. As not all wardrobe methods take advantage of their volume-centric possibilities, the paper explores lessons from a wardrobe pilot study conducted in Uruguay, Portugal and Norway in 2022 with both male and female respondents. Preliminary findings show that a volume perspective on wardrobe research can give valuable insights on the particularities of clothing use in relation to quantities.
Putting on a different set of glasses
In another paper, which is a result of the Wasted Textiles project, this is also explored related only to textiles and clothing: Regulating Fast Fashion out of Fashion, authored by Kerli Kant-Hvass and Ingun Grimstad Klepp. The analysis underpinning the paper is based on a review of 10 textile strategy documents from public, private and non-profit organizations, on whether and how growth and overproduction in the textile industry is being addressed. Merging this with research and findings from the opposite end of the value-chain than these textile strategy documents do (which use design and a focus on “preferred fiber” choices to potentially optimize lifetime), the paper puts forward Targeted Producer responsibility (TPR) as a means to curb volumes effectively and thus reduce environmental impacts.
Another paper, written by Kirsi Laitala, Lisbeth Løvbak Berg and Pål Strandbakken, addresses consumers’ use and knowledge of the Consumer Purchases Act by asking: Why won’t you complain? Consumer rights and the unmet product lifespan requirements. The paper discusses the reasons for not complaining, based on six consumer focus groups, where in total 36 consumers described furniture, electronics, and textile products that they were dissatisfied with and hadn’t necessarily taken the trouble to claim their consumer rights.
Clearer guidelines in order
There is a need for clear guidelines on what the consumer rights are for the specific products, the authors write, to make it clear what is considered unacceptable abrasion and normal use, but also to differentiate between commercial warranties and legal rights. Complaints are, after all, an important avenue for businesses to gain information about the performance of their products, and thereby improve them.
In Norway, the right to complain is extended to 5 years for some durable goods, which exceeds the EU requirements of 2 years. This creates confusion about which products and which duration is valid, where consumers often link this to price, rather than the type of product. In addition to clearer guidelines, there are possibilities for new technical solutions to facilitate the storage of receipts and purchase information related to each product, which was especially problematic for low-priced items. Digital product passes, which is on EU’s menu of policy instruments, may be developed with this in mind, and could also include information about consumer rights.
Focus groups offer insights
Two other Lasting papers, are both about what we keep or discard and why, and are based on focus groups, but also some interviews with business representatives. The overarching theme was product longevity of three product groups: electronics, textiles, and furniture. In Flawed or redundant: products with long lifespans against the odds, co-authored by Harald Throne-Holst and Kirsi Laitala, the theme is explored related to reasonings behind keeping things – by only storing them and not using them – or trying to use them even though they are broken or flawed. Five groups of reasoning were presented: Economical, Ethical, Social, Emotional, and Intentions.
In Holding on or letting go? Conflicting narratives of product longevity: a business vs. consumer perspective, authors Lisbeth Løvbak Berg and Marie Hebrok have found that technical and emotional durability are the two dominant ways of understanding product longevity by business representatives, and as such what they aim to embed in their products. Consumers, however, tell a different story, of living with their things, of use, of time passing, and life events triggering change – factors that are external to the product itself. The authors argue that corporate narratives of product longevity divert our attention away from production toward consumption, keeping questions of volume and growth at arm’s length.
Stockings as stress
In relation to durability, the Reduce project will present The devaluation of stockings. Tone Rasch, Ingrid Haugsrud, Kirsi Laitala and Atle Wehn Hegnes (Tone is associated with the Norwegian Museum of Science and Technology) explore nylon stockings for women as an example of a product that first was recognized as high fashion, but later has been devalued and is now seen almost as a single-use product. Thin stockings represent a good example of how we value and take care of delicate items has a significant contribution to their lifetimes. Looking into the historical context is beneficial for learning about the points in time when changes occurred and how they contribute to consumer practices.
The weakest link: How technical lifespan extension can be counter-effective for climate goals looks at scenarios for kitchen durables (fridge, dishwasher, stove, and kitchen cupboards) to explore lifetime extension, and investigate the extent to which these interventions could in fact be counter-effective for climate goals set for 2050. The authors, Kamila Krych and Johan B. Pettersen, found that the extra resources invested to ensure more durable products that anyways can land in waste bins prematurely, can be counter-effective in reaching the climate goals set for 2050.
Tasty alternatives
Faster environmental benefits, the authors write, could be achieved by increasing the repair rates by extending product warranties, subsidizing repair services, supporting the development of innovative repair businesses, demanding the availability of spare parts at affordable prices, and increasing the convenience of repair. The paper also points to policy addressing “problematic” products as more effective, such as dish-washers that fail more frequently. A belief in design-focused interventions, is clearly questioned, as the authors see this as taking longer to bring effect.
So, all in all, attendees should be well-satisfied and full of new knowledge, considering this rich menu, which is of course only a small part of the three-day proceedings in Finland. The research papers will be published after the conference.
OPINION: What we do know, is that all synthetic clothing and materials, sooner or later, will become microplastics, a «time-delayed» pollution bomb. And thus, they will ultimately become a problem for seabirds, and us.
A new report on microfibers in waterways is gaining attention, as it claims the results show more natural fibers than synthetic ones, and therefore demonizing microplastics is wrong. However, a very recent study on the intestines of seabirds gives a different conclusion: Fossil-based particles do cause harm.
The recent report from The Microfibre Consortium (TMC), together with the Norwegian Research Center/NORCE has analyzed samples taken along the coast of Kenya and Tanzania, and found that of 2403 textile fibers in the water, 55 per cent were of natural origin, 37 per cent were synthetic and 8 per cent viscose/rayon-based.
To read this op ed, written by Professor Ingun Grimstad Klepp, Founder of Fibershed, Rebecca Burgess and journalist and writer Tone Skårdal Tobiasson, follow this link.
It turns out that Polish mountain sheep wool can be successfully used as a nitrogen-rich, organic fertilizer in organic farming. This enables utilization of coarse wool, which is not suitable for textile processing, to be used and lead to zero-waste from wool shearing.
“Utilisation of waste wool from mountain sheep as fertiliser in winter wheat cultivation” is the title of an study from the University of Bielsko-Biala published in the Journal of Natural Fibers, Volume 20 Issue 2. Authors are all part of the WOOLUME project, Jan Broda, Monika Rom, Andrzej Gawlowski and Katarzyna Kobiela-Mendrek.
Coarse wool obtained from mountain sheep has low economic value and is treated as a troublesome by-product of sheep farming. To find ways to utilize it, wool deemed as waste was separated from the better-quality wool during sheep shearing, and used in experiments as a fertilizer in winter wheat cultivation.
During the preliminary tests, it was found that un-scoured wool did not contain excessive amounts of heavy metals or environmentally problematic contaminations, and could therefor safely be used as fertilizer. After this was established, the raw wool was cut into shorter segments and mixed with the soil, and how this influenced winter wheat growth was examined during two seasons.
Simultaneously, the progress of wool biodegradation and the nitrogen content in the soil were analyzed. It was found that, during the growth period, nitrogen compounds are slowly released into the ground, and the content of nitrogen in the soil was closely correlated with the progress of wool biodegradation.
Stems of the winter wheat Kilimandzaro variety grown in plots with different wool content at the end of growing season. With increased wool content, the stems are visibly longer.
Released nitrogen thus positively impacts wheat growth in various stages, which is manifested by higher tillering degree, more intense leaf color, higher stems and finally, greater yield. Wool added into the soil reveals its positive influence on wheat development up to two harvests. Mountain sheep wool can be successfully used as a nitrogen-rich, organic fertilizer in organic farming. This enables utilization of coarse wool, which is not suitable for textile processing, according to the zero-waste strategy.
Field of winter wheat Sacramento variety at the stage of stem elongation with marked plots established in: 1/first year; 2/second year.
First of all, we would like to welcome you as a colleague! This is a very happy development for Consumption Research Norway (SIFO) and our clothing research group, alongside of course, the work in the projects you have the lead of work packages. So firstly: welcome!
For such a long time, we have associated you with London College of Fashion, and now you are affiliated with three Scandinavian institutions. Is there a special affinity to this region that has resulted in this tripling of your affiliation?
Well, it is a very beautiful region! Seriously, there has been a steady – and growing – presence in sustainability, design, fashion and textiles work in the Nordic countries over the last twenty-five years and I am now honoured to be able to connect with this work in three different institutions.
Are the other two positions very different from your role at SIFO?
All the roles are fairly distinct, drawing on different parts of my knowledge and skills. Some are more design-based, others more strategic, while the work at SIFO is more specifically linked to research projects.
Your research project, Craft of Use, brought in a new perspective on how we use our clothes in a myriad of ways; that has inspired many to rethink their relationship with clothes. How did this research lead to for example Earth Logic and your input to new research? Can you give us a ‘thread’ that weaves through your research?
The Craft of Use project started out in 2008 as a way to glimpse what ‘fashion’ might look like ‘post growth’. The idea was that in a world beyond consumerism when clothes are no longer bought mindlessly, the skills of using garments well, with dedication and care, take on new significance. These skills would become the currencies of post growth fashion, they also emphasise practices not just products and users, not just garments. Through a hybrid ethnographic-design research project the Craft of Use project connected the everyday (the lifeworld of the user), systemic questions about taken-for-granted economic and social structures, and relational potential of design to act and connect differently. Earth Logic is, I guess, an obvious continuation of this approach. It also uses a similar action research methodology and is similarly radical.
From left to right: Else Skjold, Trine Skødt, Mette Dalgaard Nielsen and Kate Fletcher. From the launch of the Klothing Research Center.
In the two projects Lasting and CHANGE, where you lead two work packages, you are looking outside the Global North concept of consumption and fashion/clothing practices with a new lens or kaleidoscope. Is this challenging to you personally and also research in general?
It is both personally challenging, and challenging to research, and necessarily so. For too long the dominant ideas in fields like fashion and sustainability have been assumed to be universal, with the assumption that no one sits outside of these ideas, beyond this epistemic territory. But with this assumption comes erasure, and denial of other perspectives, realities, possibilities etc. Looking to more plural perspectives tackle some of the biggest subjects like Western hegemony, human exceptionalism, patriarchy, but it also asks about small practical things like how writing items in a list introduces a hierarchy, which in turn introduces an inadvertent priority or power relation.
Some of the focus in Mathilda Tham’s and your Earth Logic, is about a more localized and diverse approach to clothing and fashion. I personally find this fascinating, and it resonates with so much of what needs to be in place in order “repair” our current system, if we can even repair it. Do you have any thoughts at all that you are willing to share, on systemic change within the current economic system?
Community based action is seen, time and again, as the radical basis of sustainability change. For it is in local places that lives are lived. One of the strands of work that is ongoing within Earth Logic is an exploratory project around a local fashion government. In Earth Logic, when we talk about government and governance people often think about big government, like what happens at national or pan-national levels, but what Earth Logic is interested in is at a different level. Our interest is the small sets of individual, household, community and regional decisions around organising and regulating clothing provision and expression. To be clear, this is not about what can be produced in a region, but more about how to meet needs with the clothing that we already have. This for me is systemic change. I’ll let you be the judge if it sits within the current system or not.
What do you feel should be further explored at SIFO, what themes do you see as unaddressed?
One of the critical challenges for fashion and sustainability is to tackle rising consumption volumes. I would like to get straight to heart of this challenge and to explore consuming less, and to do that with colleagues with expertise from across the SIFO family.
Kate with the CHANGE team at Finnskogen, flanked by Ingun Klepp (left), Ingrid Haugsrud, Else Skjold and Lea Gleisberg, Vilde Haugrønning in front.
Do you feel research councils understand what the actual problems are? Do you have a wish for a call you haven’t seen?
In general terms it seems research councils prefer funding projects that are similar to existing ones, that use related thinking, and aligned with established economic priorities. What I hope for is that bolder, riskier, farsighted projects will also be funded. Such projects generally create the compost that other projects then go on to sow the seeds of change in. And without the compost, other seeds of future projects will not germinate. So, this is ultimately an investment in the future.
Consumption, as a word and a concept; what do you find the most problematic and what do you find to be valuable?
Etymologically, I find the term consumption problematic, meaning, as it does, “to use up”. And in the fashion context, its strong association with the culture of consumption is antithetical to ecological balance. Yet inspired by the words of the poet and farmer Wendell Berry, I am also seeing consumption, as about husbandry. That is, the name of all practices that sustain life by connecting us conservingly to our places and our world. It is the art of keeping tied all the strands in the living network that sustains us.
This week saw the publication of a critical background paper on concerns surrounding the Product Environmental Footprint Category Rules for Apparel and Footwear from a consortium representing the collaborative international research project Wasted Textiles at Consumption Research Norway SIFO at Oslo Metropolitan University.
The consortium were asked to supply more background information to the EU Commission after a knowledge sharing meeting January 25 hosted by Vice President Timmermans cabinet members and other EU officials from both DG Grow and DG Environment involved in the execution of the EU Textiles strategy, the revision of the Waste Framework Directive, and other Green Deal related policies.
As the first step in supplying more research-based data and knowledge, the paper entitled CRITICAL REVIEW OF PRODUCT ENVIRONMENTAL FOOTPRINT (PEF): WHY PEF CURRENTLY FAVORS SYNTHETIC TEXTILES (PLASTICS) AND THEREFORE ALSO FAST FASHION was sent to the meeting-participants this week, and the authors have decided to make the paper publicly available through the Clothing Research website, and can be accessed at the bottom of this page.
During the meeting, which was mainly about Extended Producer Responsibility, Professor in Clothing and Sustainability at Consumption Research Norway SIFO at Oslo Metropolitan University, Ingun Grimstad Klepp, brought up concerns surrounding PEF and PEFCR that could be addressed with the right policy measures to ensure better data collection for the use- and end-of-use phase. These concerns are based on research from three longitudinal research projects at SIFO (Wasted Textiles, CHANGE and Lasting), under the auspices of the Clothing Research umbrella. This research was what led to the meeting with several EU officials, who were all genuinely interested in how academic research can contribute to better policy measures.
Four of the authors, from left to right: Jens Måge, Ingun Grimstad Klepp, Tone Skårdal Tobiasson and Kerli Kant Hvass.
This paper is the first in a series of three that will be delivered to the participants of the meeting and will be made available on this website, related to EU’s textile strategy. The research consortium behind the critical papers, welcome EU’s ambitious strategy for apparel and footwear; however, the same research consortium sees that unless one takes a holistic view which includes the use and disposal of products, with a view from what actually ends up in the waste and how quickly – true sustainability-measures are in danger of supplying misleading information. By capturing this research and making it available, it is possible to spur policy measures that address the issue of over-production head on.
In conclusion, the paper states: “In essence, one can therefore say that PEFCR for clothing favors plastic due to a lack of political decisiveness on how to measure natural versus synthetic materials, together with giving the FF (fast fashion) industry power in the development of PEFCR and choice of underlying data. Fast fashion will remain in fashion if those who have the most to gain from it are making the rules.” The first critical paper is authored by Ingun Grimstad Klepp, Kirsi Laitala, Lisbeth Løvbak Berg (all SIFO, OsloMet), Tone Skårdal Tobiasson (NICE Fashion/UCRF), Jens Måge (Norwegian Waste Management and Recycling Association) and Kerli Kant Hvass (Revaluate/Aalborg University).
The SIFO Clothing Research team who are all co-authors: Kirsi Laitala, Lisbeth Løvbak Berg and Ingun Grimstad Klepp.
Two articles from Clothing Research at Consumption Research Norway have been accepted by the journal Fibers and are accessible online. The two articles are entitled Reducing plastic: Opportunities and obstacles for coarser wool in consumer goods and Natural and sustainable? Consumers’ textile fiber preferences.
More than half of the team in the Clothing Research group have contributed to these two chapters: Kirsi Laitala, Anna Schytte Sigaard (author on both articles), Lisbeth Løvbak Berg and Ingun Grimstad Klepp – the article on reducing plastics is co-authored with three from the University of Bielsko-Biala. In the first article, findings are presented that show that on a product level, the many inherent properties of wool create opportunities for product development and sustainability improvements, and that using coarser wool represents an opportunity for replacing plastics in many applications. This was done using a SWOT (Strengths-Weaknesses-Opportunities-Threats) analysis of results from a desktop study and interviews with producers of products made from wool, as well as policy documents relating to wool, waste, textiles, and plastic.
The second article looks at synthetic vs. natural fibers, consumer preferences, their view on sustainability and more importantly, consumers’ willingness to degrow their consumption. Interestingly, not only do Norwegian consumers prefer wool, they also believe that wool is the most sustainable choice of fiber, with polyester being the least. This is the exact opposite of what today’s most common measuring tool, the Higg Material Sustainability Index, tells us.
A snap-shot from the Higg MSI ranking of fibers, the higher the number, the less sustainable.
This article also offers proof that perceptions of high sustainability regarding fibers are negatively correlated with reduced consumption: “Our study suggests that a continued focus on material substitution and other technological measures for reducing climate change will impede the move toward sustainability in the textile sector.” The article raises the very pertinent question of how the perspectives of techno- and eco-centrism impact Norwegian consumers’ fiber preferences and perceptions, and how does this, in turn, affect their clothing consumption?
Technocentric or eco-centric?
On the one hand, green growth aims to de-couple growth in the textile industry from a reliance on virgin materials by keeping already-produced materials in circulation for as long as possible. In contrast to this technocentric perspective, the eco-centric degrowth narrative holds at its core ideas such as scarcity, reduced consumption, and lifestyle sacrifices at a time of shrinking resources for the Global North. “The eco-centric approach does not disregard technology but holds that we cannot rely solely on new and better technology. Instead, it focuses primarily on behavior change and argues that a paradigm shift is necessary to transform conventional fashion production and consumption.”
The respondents showed a high preference for natural fibers, especially wool, which was preferred by 72% of them, followed by cotton (63%), alpaca (38%), organic cotton (34%), linen (30%), silk (23%), bamboo viscose (22%), viscose (10%), and, finally, synthetics at the bottom of the scale, with polyester being preferred by only two percent, followed by recycled polyester (2%) and acrylic (1%). All the natural fibers were more popular than the manmade ones, and out of the manmade fibers, the synthetics were least popular, even recycled polyester. Almost half of the respondents said that they avoided polyester (47%) and acrylic (46%), and 35% avoided even recycled polyester.
Rebound effect?
Fiber preference was positively correlated with reduced clothing consumption, so that those who preferred more natural fibers had reduced their clothing consumption more than those who preferred synthetic fibers, which is interesting. This fits with the eco-centric perspective of degrowth and reduced consumption. However, it seems that believing that a fiber is sustainable, negatively affects consumption reduction. An explanation for this could be that if the fibers used to produce clothing are considered sustainable, reducing consumption is not necessary, which gives a rebound effect that could be seen as counter-productive, from an eco-centric perspective.
Therefore, consumers’ willingness to reduce consumption is important and may be weakened if the focus continues to be on fibers and materials, instead of reduced production and consumption. Read the article here (mdpi.com).
The wool-related article, does, to a certain degree, focus on the raw materials, and replacing one raw material (synthetic) with a natural fiber. To investigate the use of coarse wool, mainly from Polish sheep, product groups that do not require the softness of Merino wool were examined. Many of these products are currently made of plastic, mostly in the form of synthetic fibers. In addition, many of them are single-use, such as sanitary products and plant pots, but also sound-absorbing acoustic panels. The study found that making this switch, is dependent on local infrastructure and working small-scale enterprises. A shift to small-scale and local resource utilization requires systemic change on several levels: Here the findings show that policy can incentivize material usage transitions, but that these tools are little employed currently.
Burial urns in felted wool from a Danish company.
As synthetic textiles are an important, but often forgotten part of the increasing plastic waste problem, this article contributes to lift up innovative ideas to reduce our reliance on fossil-based materials. These textiles contain environmental toxins added during the processing of fiber and fabric, and through microfiber shedding synthetic textiles contribute up to 35% of the released microplastics which have been shown to end up in our lungs, oceans, animals, and even placentas.
SWOT analysis
A common factor is a focus on wool utilization as a waste management process and in non-textile products, rather than using the material in high-value textile products. The different aspects related to the coarse wool, were first placed in the SWOT table, then grouped into themes: Properties and product performance, Price and availability, Sustainability, and Regulations and policy. As common in SWOT analysis, one aspect can be both a positive and a negative aspect, e.g., coarser wool being more labor-intensive to use means that it creates more jobs, but at the same time it makes it more costly, as will be examined in the following.
The findings were divided into internal factors, which define the strengths and weaknesses of the internal environment, in this case, the material itself and its value chain directly, and external factors, defining opportunities and threats, that are determined by the external environment operated in, i.e., the overall market and competition. Efforts to utilize and valorize surplus, coarser wool, range from creating wool powders and keratin, fertilizers, substrates for biogas production, regenerating fibers from waste keratin, slug-repelling wool pellets, insulation, water purification to bio-composites.
The lack of focus on surplus wool
As a by-product, the wool to some extent becomes invisible in that the wool is mainly disposed of on the farms directly and therefore does not enter into any formal waste management system. When the EU Strategy for Sustainable and Circular Textiles does not even mention local wool – or the possibilities that wool and other local EU fibers hold – but discusses local solutions solely as future potential recycling plants, this can be challenged through the results shown in this article. In order to replace more plastic with wool, different types of wool need to be used where they are best suited. This also raises the question of how much under-utilized or surplus wool is actually out there?
In addition, using the coarse wool represents an opportunity to replace particularly problematic plastic products. The study found that several of the examined products are today mainly made of plastic, including the products where plastic cannot be recycled and therefore represent a waste problem. It is unlikely that all such plastic can be replaced by wool, but it is nevertheless important to develop alternatives and at the same time exploit available natural materials: “It is important to remember that the extensive use of plastic is relatively new in human history and that a range of solutions existed before these products invaded the market.”
For LCA-based tools and category rules, there is a central idea of a “functional unit”. How this will function in the ongoing work with EU’s PEFCR (Product Environmental Footprint Category Rules), is based on the number of days of “usability”.
A “functional unit” is most often described for paint. It is not the liter of paint that has an environmental impact to be reconned with, it is, however, a painted wall one year that is the “functional unit”. With a “good” paint as opposed to a “less good” paint you can paint less often and therefore you need less. The functional unit, is what the paint is supposed to do, keep the walls protected and good looking for a certain period of time. This is at the very core of a life cycle assessment. It defines what the environmental footprint is. So far so good. Let’s then move on to apparel.
The CHANGE masterclass seminar held at the Royal Danish Academy in Copenhagen September 30th 2022 hosted another interesting occasion. This was the launch of KLOTHING – Centre for Apparel, Textiles & Ecology Research. The first Danish research center on fashion, textiles and sustainability lead by me, Associate Professor, PhD, Else Skjold, who has been central in developing the wardrobe method since the beginning of my PhD study (Skjold, 2014).
Text: Else Skjold/KLOTHING
In CHANGE, I am responsible for the WP5 regarding the continuous recruiting of junior- and senior researchers for further development and consolidation of wardrobe research, and dissemination of new knowledge to both research, industry, and policy makers. With the newly established centre, wardrobe research will have a strong outpost and knowledge hub in Scandinavia to support and strengthen the WP5, the work being conducted at SIFO in Oslo, and the broadening out of wardrobe research altogether.
The name is a result of the dialogue between myself and professor, PhD Kate Fletcher, who is also part of the CHANGE project, and currently affiliated with the Royal Danish Academy (among others). With the title KLOTHING, the centre is rooted in a Scandinavian context, since the spelling of clothing with a “K” stems from Norse language. The title thereby suggests how research departing from exactly Denmark and Scandinavia might contribute to effecting a CHANGE. Therefore, the founding pillars of the centre are focusing on the core value of the Scandinavian welfare states that everyone should have equal opportunity, which is mirrored in the Scandinavian traditions for user-inclusive and collaborative design that was developed throughout the 20th Century.
The center is placed at the Royal Danish Academy which covers the Design School, the Architect School and the Conservation School. This implicates that the knowledge production of the center has a basis in the three respective areas of research, artistic development work, and practice. This means that the center will produce knowledge in the shape of both academic writing and research-led design development work at the highest artistic level, thereby testing and validating how a circular and sustainable future might appear in physical design artifacts and prototypes.
KLOTHING is affiliated with the Institute of Architecture and Design that represents the full scale from ceramics to clothing and textiles, and to furniture, interior, and architecture. It is thereby embedded in a research- and education environment strongly affected by the iconic Danish Modern Furniture traditions deriving from the 1950’s and 1960’s, and represented by designers such as Børge Mogensen, Kaare Klint, and Finn Juhl. It is particularly in this modernist movement and its functionalist tradition for investigating user-behavior and -needs and the use properties of design objects for various occasions (i.e. storage for clothing etc.), that there is a strong tie to the CHANGE project and its interest in occasions and categories of clothing designed for specific purposes.
An engaged team studying Danish storage systems with historical roots. From left to right: Irene Maldini, Vilde Haugrønning, Liudmila Aliabeva, Anna Sigaard, Kirsi Laitala, Ingrid Haugsrud, Lisbeth Løvbak Berg and Kerli Kant Hvass. Photo: Tone S. Tobiasson.
These traditions for a sensitivity towards use and use properties of design are interpreted in KLOTHING as an important foundation for restoring the fashion- and textiles sectors’ ability to deliver products of high and long-lasting use value. Going back to the aspirations of the welfare state of providing equal opportunityfor everyone, it is obvious that in a current context this will imply a deep sensitivity for various user groups and their needs and aspirations, across gender, race, age and other important parameters that are not recognized in the current fashion system.
It is here that wardrobe research is a key driver for understanding how design creates value in practices of maintenance and use, and in circular services such as resale, rental, re-design, adjustment tailoring and similar. Wardrobe research could be seen as crucial in the years to come, as there is a need for building eco-systems, logistics and new practices for a more circular and sustainable fashion- and textiles sector that is centred on long-time use of resources. Basically, wardrobe research is key because circularity requires skills, practices, understandings, logistics and value systems that are based around use rather than on fashion trends. But the ecosystems political and economic incentives for establishing this do not exist and are complex to build up.
This is why KLOTHING will be tied up to traditions for collaborative design approaches and co-design developed from the 1970’s and onwards in Scandinavia that go well in hand with the cooperative business model represented by large Danish companies such as COOP and Arla. These business models were built on the idea that together we can do more. Typically, they consist of many small enterprises and stakeholders with a shared infrastructure for knowledge-building, know-how and revenue creation. Like a small welfare state within the welfare state. This template for collaborative research means that the center will primarily work action-based and in collaborative settings across sciences and sectors/stakeholders. This work has already started, as KLOTHING is embedded in the politically funded research partnership on circular economy for plastics and textiles affiliated with the Innovation Fund Denmark, TraCE. Here Jesper Richardy is part of the team.
As part of the event-packed day that culminated in the launch of KLOTHING, we also arranged a lunch with NGOs, policy makers, industry organizations and the CHANGE team to discuss issues surrounding the EU’s new textile strategy and greenwashing. Photo: Tone S. Tobiasson.
Ultimately, the ambitions of the CHANGE project of creating an actual impact at more systemic level is also embedded in the ideas behind KLOTHING. This is found in the strong inspiration of the movement propelled by the manifesto of the Nordic Cuisine from 2004. What they basically did was to reject the focus on French cooking tradition that had pushed local produce and culinary practices into almost oblivion. They believed in a much more locally rooted practice that respected natures’ boundaries and seasons. In welfare and balance for both human and non-human species. In elevating local resources and in making them precious through skilled craftmanship at the highest level. All in collaboration between citizens, politicians, researchers, industry, and other stakeholders for the common good.
From the launch. Photo: Johanne Stenstrup
This could seem as a highly protective and inward-looking project. But what happened was that they inspired local craftmanship and resourcefulness – a decentering of what good cuisine was all about – and thereby stimulated tools and supporting philosophy for a more caring and rooted practice together with chefs all around the globe. Just like this movement, KLOTHING seeks to inspire new landscapes of fashion and textiles that are decentered, inclusive and respectful of plural voices and aesthetics, whilst respecting planetary boundaries and principles of biodiversity. This line of thinking was initiated in the master programme that was launched September 2020 at the Royal Danish Academy; Fashion, Clothing & Textiles; New Landscapes for Change.
The hope going forward is to reach out and invite fellow researchers and students from other learning environments, as well as industry partners, policy makers and other stakeholders, in the understanding that no one can make a CHANGE on their own.
