Microplastics or microfibers: Does anyone really get what this is about?

OPINION: What we do know, is that all synthetic clothing and materials, sooner or later, will become microplastics, a «time-delayed» pollution bomb. And thus, they will ultimately become a problem for seabirds, and us.

A new report on microfibers in waterways is gaining attention, as it claims the results show more natural fibers than synthetic ones, and therefore demonizing microplastics is wrong. However, a very recent study on the intestines of seabirds gives a different conclusion: Fossil-based particles do cause harm.

The recent report from The Microfibre Consortium (TMC), together with the Norwegian Research Center/NORCE has analyzed samples taken along the coast of Kenya and Tanzania, and found that of 2403 textile fibers in the water, 55 per cent were of natural origin, 37 per cent were synthetic and 8 per cent viscose/rayon-based.

To read this op ed, written by Professor Ingun Grimstad Klepp, Founder of Fibershed, Rebecca Burgess and journalist and writer Tone Skårdal Tobiasson, follow this link.

Winter wheat + wool pellets work well

It turns out that Polish mountain sheep wool can be successfully used as a nitrogen-rich, organic fertilizer in organic farming. This enables utilization of coarse wool, which is not suitable for textile processing, to be used and lead to zero-waste from wool shearing.

“Utilisation of waste wool from mountain sheep as fertiliser in winter wheat cultivation” is the title of an study from the University of Bielsko-Biala published in the Journal of Natural Fibers, Volume 20 Issue 2. Authors are all part of the WOOLUME project, Jan Broda, Monika Rom, Andrzej Gawlowski and Katarzyna Kobiela-Mendrek.

Coarse wool obtained from mountain sheep has low economic value and is treated as a troublesome by-product of sheep farming. To find ways to utilize it, wool deemed as waste was separated from the better-quality wool during sheep shearing, and used in experiments as a fertilizer in winter wheat cultivation.

During the preliminary tests, it was found that un-scoured wool did not contain excessive amounts of heavy metals or environmentally problematic contaminations, and could therefor safely be used as fertilizer. After this was established, the raw wool was cut into shorter segments and mixed with the soil, and how this influenced winter wheat growth was examined during two seasons.

Simultaneously, the progress of wool biodegradation and the nitrogen content in the soil were analyzed. It was found that, during the growth period, nitrogen compounds are slowly released into the ground, and the content of nitrogen in the soil was closely correlated with the progress of wool biodegradation.

Stems of the winter wheat Kilimandzaro variety grown in plots with different wool content at the end of growing season. With increased wool content, the stems are visibly longer.

Released nitrogen thus positively impacts wheat growth in various stages, which is manifested by higher tillering degree, more intense leaf color, higher stems and finally, greater yield. Wool added into the soil reveals its positive influence on wheat development up to two harvests. Mountain sheep wool can be successfully used as a nitrogen-rich, organic fertilizer in organic farming. This enables utilization of coarse wool, which is not suitable for textile processing, according to the zero-waste strategy.

Field of winter wheat Sacramento variety at the stage of stem elongation with marked plots established in: 1/first year; 2/second year.

Read the full article in Journal of Natural Fibers here (tandfonline.com).

A conversation with Kate Fletcher

First of all, we would like to welcome you as a colleague! This is a very happy development for Consumption Research Norway (SIFO) and our clothing research group, alongside of course, the work in the projects you have the lead of work packages. So firstly: welcome!

For such a long time, we have associated you with London College of Fashion, and now you are affiliated with three Scandinavian institutions. Is there a special affinity to this region that has resulted in this tripling of your affiliation?

Well, it is a very beautiful region! Seriously, there has been a steady – and growing –  presence in sustainability, design, fashion and textiles work in the Nordic countries over the last twenty-five years and I am now honoured to be able to connect with this work in three different institutions.

Are the other two positions very different from your role at SIFO?

All the roles are fairly distinct, drawing on different parts of my knowledge and skills. Some are more design-based, others more strategic, while the work at SIFO is more specifically linked to research projects.

Your research project, Craft of Use, brought in a new perspective on how we use our clothes in a myriad of ways; that has inspired many to rethink their relationship with clothes. How did this research lead to for example Earth Logic and your input to new research? Can you give us a ‘thread’ that weaves through your research?

The Craft of Use project started out in 2008 as a way to glimpse what ‘fashion’ might look like ‘post growth’. The idea was that in a world beyond consumerism when clothes are no longer bought mindlessly, the skills of using garments well, with dedication and care, take on new significance. These skills would become the currencies of post growth fashion, they also emphasise practices not just products and users, not just garments. Through a hybrid ethnographic-design research project the Craft of Use project connected the everyday (the lifeworld of the user), systemic questions about taken-for-granted economic and social structures, and relational potential of design to act and connect differently. Earth Logic is, I guess, an obvious continuation of this approach. It also uses a similar action research methodology and is similarly radical.

From left to right: Else Skjold, Trine Skødt, Mette Dalgaard Nielsen and Kate Fletcher. From the launch of the Klothing Research Center.

In the two projects Lasting and CHANGE, where you lead two work packages, you are looking outside the Global North concept of consumption and fashion/clothing practices with a new lens or kaleidoscope. Is this challenging to you personally and also research in general?

It is both personally challenging, and challenging to research, and necessarily so. For too long the dominant ideas in fields like fashion and sustainability have been assumed to be universal, with the assumption that no one sits outside of these ideas, beyond this epistemic territory. But with this assumption comes erasure, and denial of other perspectives, realities, possibilities etc. Looking to more plural perspectives tackle some of the biggest subjects like Western hegemony, human exceptionalism, patriarchy, but it also asks about small practical things like how writing items in a list introduces a hierarchy, which in turn introduces an inadvertent priority or power relation.

Some of the focus in Mathilda Tham’s and your Earth Logic, is about a more localized and diverse approach to clothing and fashion. I personally find this fascinating, and it resonates with so much of what needs to be in place in order “repair” our current system, if we can even repair it. Do you have any thoughts at all that you are willing to share, on systemic change within the current economic system?

Community based action is seen, time and again, as the radical basis of sustainability change. For it is in local places that lives are lived. One of the strands of work that is ongoing within Earth Logic is an exploratory project around a local fashion government. In Earth Logic, when we talk about government and governance people often think about big government, like what happens at national or pan-national levels, but what Earth Logic is interested in is at a different level. Our interest is the small sets of individual, household, community and regional decisions around organising and regulating clothing provision and expression. To be clear, this is not about what can be produced in a region, but more about how to meet needs with the clothing that we already have. This for me is systemic change. I’ll let you be the judge if it sits within the current system or not.

What do you feel should be further explored at SIFO, what themes do you see as unaddressed?

One of the critical challenges for fashion and sustainability is to tackle rising consumption volumes. I would like to get straight to heart of this challenge and to explore consuming less, and to do that with colleagues with expertise from across the SIFO family.

Kate with the CHANGE team at Finnskogen, flanked by Ingun Klepp (left), Ingrid Haugsrud, Else Skjold and Lea Gleisberg, Vilde Haugrønning in front.

Do you feel research councils understand what the actual problems are? Do you have a wish for a call you haven’t seen?

In general terms it seems research councils prefer funding projects that are similar to existing ones, that use related thinking, and aligned with established economic priorities. What I hope for is that bolder, riskier, farsighted projects will also be funded. Such projects generally create the compost that other projects then go on to sow the seeds of change in. And without the compost, other seeds of future projects will not germinate. So, this is ultimately an investment in the future.

Consumption, as a word and a concept; what do you find the most problematic and what do you find to be valuable?

Etymologically, I find the term consumption problematic, meaning, as it does, “to use up”. And in the fashion context, its strong association with the culture of consumption is antithetical to ecological balance. Yet inspired by the words of the poet and farmer Wendell Berry, I am also seeing consumption, as about husbandry. That is, the name of all practices that sustain life by connecting us conservingly to our places and our world. It is the art of keeping tied all the strands in the living network that sustains us.

Questions related to the TPR proposal

The Wasted Textiles team have had many meetings with policy-makers, politicians, NGOs, textile industry representatives and other interested parties regarding our Targeted Producer Responsibility proposal. We have collected questions we have been asked and here you will find the answers to these questions. If you have other questions, feel free to send them to us, and we will answer them as best we can, and make them publicly available.  

Q: How to obtain knowledge about the lifespan of textiles?

A:   Lifetime can be measured in number of years, or the number of times something is used. The proposal is to use the length of the use phase as the most important criterion. We propose that the brand and date of production/import will be made mandatory in the future legislation. In the long term, it will then be possible to measure how long the usage phase is on average per brand. We will also be able to say something about the number of uses. The clothes that have not been used will usually be recognizable, and likewise, clothes that have been used until they are worn out. The main method of TPR will be waste analyses and it is possible to do the analyses of the life span in different ways, also related to the type of textile.

Q: Is it only the quantity and age of the textiles in the waste stream that determine the size of the fee?

A: Our proposal is that the quantity and age of discarded textiles shall determine the fee together with the cost of capturing the End of Life (EoL) value for the products. This means that textiles with a high price on the second-hand market, or based on their material composition are a resource for recycling, will have a lower price or even not generate a fee at all, in accordance with the “polluter pays” principle.

Q: How to guarantee that the product carries information about the garment and the brand?

A: The rules today safeguard this to a certain extent, as the labels or the printed information need to withstand a certain number of laundry cycles. It is often also possible to determine the brand by visible logos or because the clothes are recognizable for other reasons. In practice, some will be unidentifiable, but as the sample pick analysis will give representative numbers, this is not the biggest hurdle. There will be enough waste to make statistical and significant compilations.

Q: With the Digital Product Passport (DPP) work underway to update the rules on what information is mandatory on textiles, is it premature to require that the date of manufacture (or date of placing on the market) must already appear on the label?

A: No. There can be interim solutions on the way to a product passport, and as picking analysis is a known method to gather data from waste streams, this is vital in order to quickly assess how long products have been in use before they are discarded. It is possible to analyse the age of clothes in the waste streams without dating the clothes, but dating will give better accuracy and make the analyses easier. In addition, the dating of clothes will have a number of positive effects for consumers, such as giving consumers a greater opportunity to compare the technical quality of the clothes and determine how long they have been in use. This will strengthen the right to complain which is linked directly to the number of years, thus empowering EU citizens.  It will also be an important link to transparency about production conditions. We, therefore, suggest that product date labelling should be included in the coming revision of the EU Textile Labelling Regulation, independently of EPR/TPR.

Q: Who will do the waste picking analysis?

A: We envision the work being carried out by third-party analysis agencies/research institutions with expertise in picking analyses and apparel, overseen by a public authority to oversee the implementation and ensure transparency.

In the Wasted Textiles project, the analyses are based on a collaboration between an analysis agency, MEPEX, with experience from sorting agents for other waste streams, researchers with experience with textiles, and the largest charity in Norway, along with Consumption Research Norway (SIFO)’s experience with different versions of wardrobe methods. Collectively, a method has been developed to look at the composition of the textile waste. Based on this work, it will be possible to further develop a method that meets the specific requirements of an EPR/TPR system.

Q: How to estimate how old a garment is by looking at waste streams or reuse collection streams?

A: Unused clothes are generally recognized by the fact that they have price tags on them, or that they are found in large quantities of similar clothes (unsold). Age can otherwise be assessed based on style, technical details and wear-and-tear. We are not talking about detailed information, but about broad assessments. Textile waste today consists of textiles produced over many decades and there have been technological and aesthetic changes in apparel over the past 50 years, although apparel has not changed as quickly as e.g., electronics. Accuracy will of course be easier when the date becomes a mandatory part of labelling textiles. Accuracy will also be better if the staff who carry out the analysis have the appropriate textile expertise.

Q: What are the criteria for a TPR fee?      

A: TPR can be used and combined with different varieties of EPR and other political instruments. If it is to have the effect of reducing overproduction and making fast fashion out of fashion, then it depends on the fee being high enough to affect the producers, their business models and downstream decisions. However, it is not the size of the fee that distinguishes TPR from other EPR systems, but the way it is calculated.

Producers would pay different levels of EPR fees depending on:

  • How old the clothing is when going out of use (very old clothing generates no fee, while very new would generate a high fee)
  • How reusable/recyclable the clothing is (clothing types with profitable pathways have a low fee)

TPR will ensure a level playing field for a European-based textile industry, global brands and online producers, so-called ultra-fast-fashion brands.  TPR will catch all textile waste, regardless of where the garment was made or imported from, thus addressing the challenge of online trade/e-commerce and “free-riders”. Further work is needed on the details of how the fees are calculated for each individual producer, for specific product groups or for the industry as a whole.   

Q: Can picking analysis actually underpin the legal validity of fees?

A: The legal foundation, implications and further development of TPR are in the current EU Waste Framework Directive, and in the coming revisions. The current WFD (article 8a) defines minimum requirements for member states and their EPR-systems, f. ex. stating that eco-modulation shall be used when it is possible. But until now we have not seen eco-modulation being used in accordance with the waste hierarchy, nor the polluter pays-principle, when it comes to irresponsible production and consumption, and its waste export, and there are limitations in the current directive when it comes to setting fees that go beyond the waste phase. The EU textile strategy from March 2022 announced that there will be a harmonised producer responsibility in the EU set forth in the coming revisions.

We will rely on legal experts and funding for further work with the legal aspects of TPR. It is likely that the retroactive aspect will be contended. If producers are held responsible for the waste they have produced long before the scheme comes into effect, they will balk. It will, however, only be a temporary problem. It is also possible to use TPR combined with sales/import statistics, so that TPR is used to modulate the fee, but that it is based on the imports/production taking place at the same time. We consider it unlikely that the analysis of the waste itself would not be reliable enough. Picking analyses are used on other waste streams and is a recognized method.

Q: Will TPR be costly to operate?

A: The costs of operating the scheme will be covered by the fee, as is normal for other control schemes for industries. TPR is based on national samples taken annually or every two years, and is assumed to be administered at low cost.

For TPR to work (reduce quantities and thus environmental burdens) it is important that the fees are high enough. This will provide money that can be used for, among other things, the operation of the system. In existing EPR-schemes the fees are often set very low so that there is little room for covering other than minimum administrative costs.

In general, there is too little waste regulation supervision and with many new EU regulations to be followed up, it is necessary to strengthen supervision on national and municipal levels. The knowledge that the picking analysis will provide is important data for monitoring the effect of the EU’s textile strategy and for making the best possible use of textile waste. It is difficult to imagine effective policy and product development without knowledge of the waste.

Q: How can we trust those who will be doing the picking analysis, that the data they collect is good enough to eco-modulate fees based on the findings?

A: In contrast to much environmental work, TPR is not based on information provided by the actors themselves, but by an independent third party with no financial interests in the matter. Why should a research or analysis agency not be trusted? It is, after all, common to use a third party to obtain information precisely to ensure independence. A major problem in the textile industry is that concepts, perspectives and what is perceived as knowledge are often produced by the industry itself and its organisations. Selective analyses, on the other hand, can be carried out by independent analysis agencies/researchers.

Q: Will TPR affect companies that want to invest in circular business models and charities that are dependent on revenues from second-hand trade?

A: Circular BMs, such as repair, rental, etc. are struggling financially today due to the competition with cheap new clothes. By making it more expensive to sell what hardly gets used, the over-production will be impacted and eventually reduced (provided the fee is high enough). This will strengthen the possibility for such BMs. The companies that work with further processing of textile waste (repair, redesign, recycling and all intermediate forms) will be able to receive financial help for product development and support from the EPR system and this subsidy will improve their financial sustainability.

Q: In the EU, 99,9% of the actors in the textile sector are SMEs. How will TPR capture meaningful data about them, and ensure that they are not treated unfairly?

A: For once, we are lucky that the fashion and sports apparel sector are dominated by big, global companies with large volumes. This means that they will dominate in the picking analysis.

Q: How will the collected fees be allocated and used?

A: The allocation of the fee has not been elaborated in the proposal for a TPR system. However, we believe that it is important that the TPR funds will be allocated to support as a minimum (non-exhaustive list):

  • operation of the system (incl. picking analysis and calculations, the logistics)
  • support proper use of collected textiles according to the waste hierarchy, incl. charities, markets for reuse and repair
  • support the work with reducing synthetic textiles, preventing the spread of microplastics and cleaning up the textile waste in developing countries
  • support municipalities that need to build up collection, sorting and treatment facilities
  • support countries, regions, businesses and NGOs in the global south in cleaning clean up landfills and rivers and establish functioning waste management systems
  • stimulate technology innovation, research, development and investments

Q: Can TPR be useful for other policy measures than EPR? 

A: TPR is a way of “capturing” the use phase, which otherwise remains a “black hole” in LCAs. In other words, a very important factor for calculating environmental impact in the whole lifecycle of a product, is not taken into account. TPR will make a valuable contribution to gathering meaningful data – and thus can have an impact on many policy measures, especially the ones based on LCA data.

Q: The EU Textile strategy aims for durable, repairable, recyclable apparel and footwear, that also contains recycled content – does TPR contribute to this, or is it counter to these aims?

A: TPR will contribute by bringing forward knowledge and data on how effective these aims are in delivering on the issues around durability. Through the picking analysis it is possible to collect various information on discarded or donated products, i.e., if the discarded or donated items have been repaired, or other relevant information related to the Textile Strategy aims.

Q: Does the TPR have the potential to address just transition, more local value-chains, eco-design and other issues that the EU are addressing through other strategies and programs?

A: The results from the picking analysis will feed into eco-modulation, and be the opposite of traditional eco-design, which only projects assumptions on lifespan. The data collected will be ‘proof of the pudding’ on what actually has a long lifespan, and cancel part of the eco-design directive, through providing actual data and incentives for making lasting products. TPR will use the market forces, and let the companies themselves decide how they tackle this, but make it costly to make products nobody wants.  This will be valuable for the New European Bauhaus. We also see synergies for Farm to Fork, the EU’s new Soil Mission, and other programs and strategies, for example, the Plastic strategy. We know the EU aims for a more holistic, non-siloed way forward, and TPR offers an opportunity for this, based on how to award apparel that stays in use for a long time (indigenous, traditional, local, etc.) up against low-quality products that have a very short lifespan.

Q: How will TPR help to phase out fast fashion?

A: If the fees are high enough to deter the increased plastification of our wardrobes and for clothing that we keep, use and love for a long time, to be awarded amnesty, then TPR will help phase out fast fashion.

Q: How will this affect the developing countries, who rely on second-hand clothes from the EU and the trade of these clothes?

A: TPR has the potential to affect developing countries in two ways. Firstly, the TPR fee should address the issue of waste colonialism, i.e., quantities of textile waste exported (as mentioned earlier in the paper but needs further study for concrete proposals).

Secondly, in line with the EU’s strategic goal to handle its own textile waste rather than exporting it to the Global South, TRP will indirectly affect this export in the long run, through the expected reduction of fast fashion and the volumes being exported.

TPR is also an opportunity for EPR to reduce quantities imported into the EU and thus if the fee is set high enough, it will affect the quantities that go out of use and thus what is exported to developing countries. This is very important, as it is the Global North that creates the major waste problems, which has been recently documented by EEA, Changing Markets Foundation and The OR Foundation. TPR’s goal is to affect the quantities being produced (fast fashion) and exported as waste and thus reduce negative environmental impacts and the related problems in production, use and disposal. These are environmental problems that particularly affect developing countries in that both the production takes place there and that the waste ends up there.

Q: Can TPR be used in other product areas?

A: Yes. That is a good idea to explore. As far as we know, there are no similar systems for other product groups; however, many products are sold with dates and also information on expected lifespan, which is a good basis for developing a TPR system. It would be possible to install a counter in f. ex. a laundry machine or coffee maker, so that the fee is not only based on years of use, but also laundry cycles or coffee-pots made. Using both years of service life and other available information in the modulation of the fee will contribute to more durable products for many product categories.

See the full briefing paper that was sent to the EU representatives below.

New briefing outlining research behind the TPR proposal

During a meeting earlier this year with a team from the European Commission Executive Vice-President for the European Green Deal, Frans Timmermans’ office, the authors of this new paper were asked to supply more background on the Targeted Producer Responsibility they presented.

As the first step in supplying more research-based data and knowledge, the paper entitled “Critical review of Product Environmental Footprint (PEF): Why PEF currently favors synthetic textiles (plastics)” and therefore also fast fashion was sent to the meeting-participants and published online. This was, however, only the first of three papers promised. The second, “Research input for policy development based on understanding of clothing consumption“, a research briefing, goes into the research behind the proposal. It is now sent to the meeting participants and is therefore also made publicly available.

For this research briefing, additional researchers who are not part of the Wasted Textiles project were engaged, and who have also recently been recruited to roles at SIFO: Kate Fletcher and Irene Maldini. Authors from Wasted Textiles are Lisbeth Løvbak Berg (SIFO, OsloMet), Tone Skårdal Tobiasson (NICE Fashion/UCRF), Jens Måge (Norwegian Waste Management and Recycling Association). Kerli Kant Hvass (Revaluate/Aalborg University); and of course, the main author Ingun Grimstad Klepp.

This briefing paper builds on research and evidence from SIFO’s 75 years of consumer research on clothing and the ongoing projects CHANGE, Lasting as well as the mentioned Wasted Textiles, addressing the problem of overproduction of textiles. It draws attention to the importance of incorporating the latest consumer research in the design of Extended Producer Responsibility (EPR) – or rather our suggestion TPR – and other textile policies currently being developed in the EU. It is written by a diverse group of academics and practitioners who are seeking to support change in the sector.

The briefing puts forward that the authors see a trend in various policy discussions and documents based on the belief that making garments more durable, will reduce the quantity of clothing produced. Scientific research does not provide evidence for this, which is exactly what this briefing aims to show. The briefing is, however, not only a criticism of the lack of research-based policy tools. The authors also offer suggestions on how to make these tools effective in the challenge that lies ahead of us: Making fast fashion out of fashion.

Read the full briefing below.

Critical background paper on PEF for apparel and footwear

This week saw the publication of a critical background paper on concerns surrounding the Product Environmental Footprint Category Rules for Apparel and Footwear from a consortium representing the collaborative international research project Wasted Textiles at Consumption Research Norway SIFO at Oslo Metropolitan University.

The consortium were asked to supply more background information to the EU Commission after a knowledge sharing meeting January 25 hosted by Vice President Timmermans cabinet members and other EU officials from both DG Grow and DG Environment involved in the execution of the EU Textiles strategy, the revision of the Waste Framework Directive, and other Green Deal related policies.

As the first step in supplying more research-based data and knowledge, the paper entitled CRITICAL REVIEW OF PRODUCT ENVIRONMENTAL FOOTPRINT (PEF): WHY PEF CURRENTLY FAVORS SYNTHETIC TEXTILES (PLASTICS) AND THEREFORE ALSO FAST FASHION was sent to the meeting-participants this week, and the authors have decided to make the paper publicly available through the Clothing Research website, and can be accessed at the bottom of this page.

During the meeting, which was mainly about Extended Producer Responsibility, Professor in Clothing and Sustainability at Consumption Research Norway SIFO at Oslo Metropolitan University, Ingun Grimstad Klepp, brought up concerns surrounding PEF and PEFCR that could be addressed with the right policy measures to ensure better data collection for the use- and end-of-use phase. These concerns are based on research from three longitudinal research projects at SIFO (Wasted Textiles, CHANGE and Lasting), under the auspices of the Clothing Research umbrella. This research was what led to the meeting with several EU officials, who were all genuinely interested in how academic research can contribute to better policy measures.

Four of the authors, from left to right: Jens Måge, Ingun Grimstad Klepp, Tone Skårdal Tobiasson and Kerli Kant Hvass.

This paper is the first in a series of three that will be delivered to the participants of the meeting and will be made available on this website, related to EU’s textile strategy. The research consortium behind the critical papers, welcome EU’s ambitious strategy for apparel and footwear; however, the same research consortium sees that unless one takes a holistic view which includes the use and disposal of products, with a view from what actually ends up in the waste and how quickly – true sustainability-measures are in danger of supplying misleading information. By capturing this research and making it available, it is possible to spur policy measures that address the issue of over-production head on.

In conclusion, the paper states: “In essence, one can therefore say that PEFCR for clothing favors plastic due to a lack of political decisiveness on how to measure natural versus synthetic materials, together with giving the FF (fast fashion) industry power in the development of PEFCR and choice of underlying data. Fast fashion will remain in fashion if those who have the most to gain from it are making the rules.” The first critical paper is authored by Ingun Grimstad Klepp, Kirsi Laitala, Lisbeth Løvbak Berg (all SIFO, OsloMet), Tone Skårdal Tobiasson (NICE Fashion/UCRF), Jens Måge (Norwegian Waste Management and Recycling Association) and Kerli Kant Hvass (Revaluate/Aalborg University).

The SIFO Clothing Research team who are all co-authors: Kirsi Laitala, Lisbeth Løvbak Berg and Ingun Grimstad Klepp.

Double whammy for Clothing Research

Two articles from Clothing Research at Consumption Research Norway have been accepted by the journal Fibers and are accessible online. The two articles are entitled Reducing plastic: Opportunities and obstacles for coarser wool in consumer goods and Natural and sustainable? Consumers’ textile fiber preferences.

More than half of the team in the Clothing Research group have contributed to these two chapters: Kirsi Laitala, Anna Schytte Sigaard (author on both articles), Lisbeth Løvbak Berg and Ingun Grimstad Klepp – the article on reducing plastics is co-authored with three from the University of Bielsko-Biala. In the first article, findings are presented that show that on a product level, the many inherent properties of wool create opportunities for product development and sustainability improvements, and that using coarser wool represents an opportunity for replacing plastics in many applications. This was done using a SWOT (Strengths-Weaknesses-Opportunities-Threats) analysis of results from a desktop study and interviews with producers of products made from wool, as well as policy documents relating to wool, waste, textiles, and plastic.

The second article looks at synthetic vs. natural fibers, consumer preferences, their view on sustainability and more importantly, consumers’ willingness to degrow their consumption. Interestingly, not only do Norwegian consumers prefer wool, they also believe that wool is the most sustainable choice of fiber, with polyester being the least. This is the exact opposite of what today’s most common measuring tool, the Higg Material Sustainability Index, tells us.

A snap-shot from the Higg MSI ranking of fibers, the higher the number, the less sustainable.

This article also offers proof that perceptions of high sustainability regarding fibers are negatively correlated with reduced consumption: “Our study suggests that a continued focus on material substitution and other technological measures for reducing climate change will impede the move toward sustainability in the textile sector.” The article raises the very pertinent question of how the perspectives of techno- and eco-centrism impact Norwegian consumers’ fiber preferences and perceptions, and how does this, in turn, affect their clothing consumption?

Technocentric or eco-centric?

On the one hand, green growth aims to de-couple growth in the textile industry from a reliance on virgin materials by keeping already-produced materials in circulation for as long as possible. In contrast to this technocentric perspective, the eco-centric degrowth narrative holds at its core ideas such as scarcity, reduced consumption, and lifestyle sacrifices at a time of shrinking resources for the Global North. “The eco-centric approach does not disregard technology but holds that we cannot rely solely on new and better technology. Instead, it focuses primarily on behavior change and argues that a paradigm shift is necessary to transform conventional fashion production and consumption.”

The respondents showed a high preference for natural fibers, especially wool, which was preferred by 72% of them, followed by cotton (63%), alpaca (38%), organic cotton (34%), linen (30%), silk (23%), bamboo viscose (22%), viscose (10%), and, finally, synthetics at the bottom of the scale, with polyester being preferred by only two percent, followed by recycled polyester (2%) and acrylic (1%). All the natural fibers were more popular than the manmade ones, and out of the manmade fibers, the synthetics were least popular, even recycled polyester. Almost half of the respondents said that they avoided polyester (47%) and acrylic (46%), and 35% avoided even recycled polyester.

Rebound effect?

Fiber preference was positively correlated with reduced clothing consumption, so that those who preferred more natural fibers had reduced their clothing consumption more than those who preferred synthetic fibers, which is interesting. This fits with the eco-centric perspective of degrowth and reduced consumption. However, it seems that believing that a fiber is sustainable, negatively affects consumption reduction. An explanation for this could be that if the fibers used to produce clothing are considered sustainable, reducing consumption is not necessary, which gives a rebound effect that could be seen as counter-productive, from an eco-centric perspective.

Therefore, consumers’ willingness to reduce consumption is important and may be weakened if the focus continues to be on fibers and materials, instead of reduced production and consumption. Read the article here (mdpi.com).

The wool-related article, does, to a certain degree, focus on the raw materials, and replacing one raw material (synthetic) with a natural fiber. To investigate the use of coarse wool, mainly from Polish sheep, product groups that do not require the softness of Merino wool were examined. Many of these products are currently made of plastic, mostly in the form of synthetic fibers. In addition, many of them are single-use, such as sanitary products and plant pots, but also sound-absorbing acoustic panels. The study found that making this switch, is dependent on local infrastructure and working small-scale enterprises. A shift to small-scale and local resource utilization requires systemic change on several levels: Here the findings show that policy can incentivize material usage transitions, but that these tools are little employed currently.

Burial urns in felted wool from a Danish company.

As synthetic textiles are an important, but often forgotten part of the increasing plastic waste problem, this article contributes to lift up innovative ideas to reduce our reliance on fossil-based materials. These textiles contain environmental toxins added during the processing of fiber and fabric, and through microfiber shedding synthetic textiles contribute up to 35% of the released microplastics which have been shown to end up in our lungs, oceans, animals, and even placentas.

SWOT analysis

A common factor is a focus on wool utilization as a waste management process and in non-textile products, rather than using the material in high-value textile products. The different aspects related to the coarse wool, were first placed in the SWOT table, then grouped into themes: Properties and product performance, Price and availability, Sustainability, and Regulations and policy. As common in SWOT analysis, one aspect can be both a positive and a negative aspect, e.g., coarser wool being more labor-intensive to use means that it creates more jobs, but at the same time it makes it more costly, as will be examined in the following.

The findings were divided into internal factors, which define the strengths and weaknesses of the internal environment, in this case, the material itself and its value chain directly, and external factors, defining opportunities and threats, that are determined by the external environment operated in, i.e., the overall market and competition. Efforts to utilize and valorize surplus, coarser wool, range from creating wool powders and keratin, fertilizers, substrates for biogas production, regenerating fibers from waste keratin, slug-repelling wool pellets, insulation, water purification to bio-composites.

The lack of focus on surplus wool

As a by-product, the wool to some extent becomes invisible in that the wool is mainly disposed of on the farms directly and therefore does not enter into any formal waste management system. When the EU Strategy for Sustainable and Circular Textiles does not even mention local wool – or the possibilities that wool and other local EU fibers hold – but discusses local solutions solely as future potential recycling plants, this can be challenged through the results shown in this article.  In order to replace more plastic with wool, different types of wool need to be used where they are best suited. This also raises the question of how much under-utilized or surplus wool is actually out there?

In addition, using the coarse wool represents an opportunity to replace particularly problematic plastic products. The study found that several of the examined products are today mainly made of plastic, including the products where plastic cannot be recycled and therefore represent a waste problem. It is unlikely that all such plastic can be replaced by wool, but it is nevertheless important to develop alternatives and at the same time exploit available natural materials: “It is important to remember that the extensive use of plastic is relatively new in human history and that a range of solutions existed before these products invaded the market.”

To read this article, click here (mdpi.com).

Presentation of preliminary findings from the Wasted Textiles PhD project

March 14th, 2023, 10 am to 12 noon. Athene 1 (auditorium), Pilestredet 46, OsloMet.

PhD Candidate Anna Schytte Sigaard will present preliminary findings based on data collection from 28 Norwegian households in three areas of Norway: Oslo, Vestfold and Salten. This is part of her PhD Want Not, Waste Not: A wardrobe study approach to minimizing textile waste from Norwegian households.

Each household collected textile items that they would have otherwise discarded during a period of 6 months. They participated in a start-up interview at the beginning of the collection period and two interviews about the collected textiles after 3 and 6 months. All textiles (more than 3000 pieces) were brought to SIFO for analysis where they have been registered according to different physical properties and the story for each textile, from acquisition to disposal, has been recorded.

The findings will grant insights into consumption of clothing and other textiles from households in Norway.

  • A more detailed agenda will be shared closer to the event date.
  • Snacks and coffee/tea will be provided.
  • Location: Athene 1 (auditorium), Pilestredet 46, 0170 Oslo

If you are interested in joining in person, please contact Anna Schytte Sigaard. email: annasiga@oslomet.no

It is also possible to join via Zoom, using this following link:
https://oslomet.zoom.us/j/68769021034?pwd=eEVxb1lQSW4vNkdmbDZFamNvb2x1dz09

A functioning ‘functional unit’

For LCA-based tools and category rules, there is a central idea of a “functional unit”. How this will function in the ongoing work with EU’s PEFCR (Product Environmental Footprint Category Rules), is based on the number of days of “usability”.

A “functional unit” is most often described for paint. It is not the liter of paint that has an environmental impact to be reconned with, it is, however, a painted wall one year that is the “functional unit”. With a “good” paint as opposed to a “less good” paint you can paint less often and therefore you need less. The functional unit, is what the paint is supposed to do, keep the walls protected and good looking for a certain period of time. This is at the very core of a life cycle assessment. It defines what the environmental footprint is. So far so good. Let’s then move on to apparel.

Or rather, we would like to share a link to the op-ed that Ingun Grimstad Klepp and I co-authored for EcoTextile News, which you can read here.

New Research Centre in Copenhagen based on wardrobe research

The CHANGE masterclass seminar held at the Royal Danish Academy in Copenhagen September 30th 2022 hosted another interesting occasion. This was the launch of KLOTHING – Centre for Apparel, Textiles & Ecology Research. The first Danish research center on fashion, textiles and sustainability lead by me, Associate Professor, PhD, Else Skjold, who has been central in developing the wardrobe method since the beginning of my PhD study (Skjold, 2014).

Text: Else Skjold/KLOTHING

In CHANGE, I am responsible for the WP5 regarding the continuous recruiting of junior- and senior researchers for further development and consolidation of wardrobe research, and dissemination of new knowledge to both research, industry, and policy makers. With the newly established centre, wardrobe research will have a strong outpost and knowledge hub in Scandinavia to support and strengthen the WP5, the work being conducted at SIFO in Oslo, and the broadening out of wardrobe research altogether. 

The name is a result of the dialogue between myself and professor, PhD Kate Fletcher, who is also part of the CHANGE project, and currently affiliated with the Royal Danish Academy (among others). With the title KLOTHING, the centre is rooted in a Scandinavian context, since the spelling of clothing with a “K” stems from Norse language. The title thereby suggests how research departing from exactly Denmark and Scandinavia might contribute to effecting a CHANGE. Therefore, the founding pillars of the centre are focusing on the core value of the Scandinavian welfare states that everyone should have equal opportunity, which is mirrored in the Scandinavian traditions for user-inclusive and collaborative design that was developed throughout the 20th Century.  

The center is placed at the Royal Danish Academy which covers the Design School, the Architect School and the Conservation School. This implicates that the knowledge production of the center has a basis in the three respective areas of research, artistic development work, and practice. This means that the center will produce knowledge in the shape of both academic writing and research-led design development work at the highest artistic level, thereby testing and validating how a circular and sustainable future might appear in physical design artifacts and prototypes.

KLOTHING is affiliated with the Institute of Architecture and Design that represents the full scale from ceramics to clothing and textiles, and to furniture, interior, and architecture. It is thereby embedded in a research- and education environment strongly affected by the iconic Danish Modern Furniture traditions deriving from the 1950’s and 1960’s, and represented by designers such as Børge Mogensen, Kaare Klint, and Finn Juhl. It is particularly in this modernist movement and its functionalist tradition for investigating user-behavior and -needs and the use properties of design objects for various occasions (i.e. storage for clothing etc.), that there is a strong tie to the CHANGE project and its interest in occasions and categories of clothing designed for specific purposes.

An engaged team studying Danish storage systems with historical roots. From left to right: Irene Maldini, Vilde Haugrønning, Liudmila Aliabeva, Anna Sigaard, Kirsi Laitala, Ingrid Haugsrud, Lisbeth Løvbak Berg and Kerli Kant Hvass. Photo: Tone S. Tobiasson.

These traditions for a sensitivity towards use and use properties of design are interpreted in KLOTHING as an important foundation for restoring the fashion- and textiles sectors’ ability to deliver products of high and long-lasting use value. Going back to the aspirations of the welfare state of providing equal opportunity for everyone, it is obvious that in a current context this will imply a deep sensitivity for various user groups and their needs and aspirations, across gender, race, age and other important parameters that are not recognized in the current fashion system.

It is here that wardrobe research is a key driver for understanding how design creates value in practices of maintenance and use, and in circular services such as resale, rental, re-design, adjustment tailoring and similar. Wardrobe research could be seen as crucial in the years to come, as there is a need for building eco-systems, logistics and new practices for a more circular and sustainable fashion- and textiles sector that is centred on long-time use of resources. Basically, wardrobe research is key because circularity requires skills, practices, understandings, logistics and value systems that are based around use rather than on fashion trends. But the ecosystems political and economic incentives for establishing this do not exist and are complex to build up.

This is why KLOTHING will be tied up to traditions for collaborative design approaches and co-design developed from the 1970’s and onwards in Scandinavia that go well in hand with the cooperative business model represented by large Danish companies such as COOP and Arla. These business models were built on the idea that together we can do more. Typically, they consist of many small enterprises and stakeholders with a shared infrastructure for knowledge-building, know-how and revenue creation. Like a small welfare state within the welfare state. This template for collaborative research means that the center will primarily work action-based and in collaborative settings across sciences and sectors/stakeholders. This work has already started, as KLOTHING is embedded in the politically funded research partnership on circular economy for plastics and textiles affiliated with the Innovation Fund Denmark, TraCE. Here Jesper Richardy is part of the team.

As part of the event-packed day that culminated in the launch of KLOTHING, we also arranged a lunch with NGOs, policy makers, industry organizations and the CHANGE team to discuss issues surrounding the EU’s new textile strategy and greenwashing. Photo: Tone S. Tobiasson.

Ultimately, the ambitions of the CHANGE project of creating an actual impact at more systemic level is also embedded in the ideas behind KLOTHING. This is found in the strong inspiration of the movement propelled by the manifesto of the Nordic Cuisine from 2004. What they basically did was to reject the focus on French cooking tradition that had pushed local produce and culinary practices into almost oblivion. They believed in a much more locally rooted practice that respected natures’ boundaries and seasons. In welfare and balance for both human and non-human species. In elevating local resources and in making them precious through skilled craftmanship at the highest level. All in collaboration between citizens, politicians, researchers, industry, and other stakeholders for the common good.

From the launch. Photo: Johanne Stenstrup

This could seem as a highly protective and inward-looking project. But what happened was that they inspired local craftmanship and resourcefulness – a decentering of what good cuisine was all about – and thereby stimulated tools and supporting philosophy for a more caring and rooted practice together with chefs all around the globe. Just like this movement, KLOTHING seeks to inspire new landscapes of fashion and textiles that are decentered, inclusive and respectful of plural voices and aesthetics, whilst respecting planetary boundaries and principles of biodiversity. This line of thinking was initiated in the master programme that was launched September 2020 at the Royal Danish Academy; Fashion, Clothing & Textiles; New Landscapes for Change.

The hope going forward is to reach out and invite fellow researchers and students from other learning environments, as well as industry partners, policy makers and other stakeholders, in the understanding that no one can make a CHANGE on their own.

Read more here.