Dec. 13th 2024 15-16 CET (3-4 pm) and Jan. 16th 2025 15-16 CET (3-4 pm)
Two consecutive talks by Consumption Research Norway SIFO at OsloMet First one with Prof. Ingun Klepp and Tone Tobiasson and in January Kate Fletcher.
December 13th: Prof. Ingun Klepp, Professor at the National Institute for Consumer Research, and Tone Tobiasson, Author and journalist, from Oslo, Norway. One of the most passionate and influential tandems in the textile research / policy space, with a long track record of pioneering research projects that changed our understanding of the use phase of garments, post consumer textile flows and plastification of fashion.
January 16th. Kate Fletcher is one of the most renown sustainable fashion researchers. Her work, including that on systems change, post-growth fashion, fashion localism, decentering durability, Earth Logic and nature relations both defines and challenges the field of fashion, textiles and sustainability. She has written and/or edited 13 books available in eight languages, and in 2022 she was identified by author Margaret Atwood as a visionary. Kate is a co-founder of the Union of Concerned Researchers in Fashion. Her most recent work is about design, clothing and nature.
Join us for a thematic session at PLATE conference in Denmark (July 2025).
2025 is the last year for the CHANGE project and one of the closing activities is a thematic session at the Product Lifetimes and the Environment (PLATE) conference. The thematic session on “Rebound effects and critical views on product durability”, co-chaired by Irene Maldini, Ingun Klepp, Kirsi Laitala, Eléonore Maitre-Ekern, Harald Wieser welcomes contributions until November 29th, 2024. The conference will be held at Aalborg University in Denmark from the 2nd to the 4th of July, 2025, and you can read more here.
With this session we would like the PLATE community to press pause for a couple of days and reconsider: Are we moving in the right direction? What are the assumptions that underlie the claimed benefits of durability? Are our efforts really helping to reduce material depletion at a significant rate? What are the material and behavioural conditions that need to be met for durability to have the desired effect? And are these conditions present in real product lifetimes and in our everyday lives? What new ways of thinking can help us in advancing the field for more significant impact? These are questions that we (co-chairs of this session) find very relevant today and would love to address together with the presenting authors, while building on the quality research that we know this community can deliver.
Chalmers University In the heart of Gothenburg hosted the defense for Erik Klint on September 6th. Klint’s PhD, consisting of 5 published articles and some additional published material, was discussed with professional curiosity and benevolence, and the atmosphere was positive throughout.
Author: Ingun Grimstad Klepp
It is not easy to work interdisciplinary, but as the head of the Grading committee Professor Michael Zwicky Hauschild, Denmark’s Technical University summed up: Here we have well-defined research questions, identified knowledge gaps and an exciting journey between the two different academic traditions, a travel from environmental impact to psychology and then back again to Life Cycle Assessments (LCAs).
Functional unit must define a function
The work’s most important conclusion is that what people do – and what psychologists call behavior – must be included in LCAs. The functional unit cannot be kilos of laundry, but rather what the function is or can be. The most important function of clean clothes is to make us feel socially safe. This is the functional unit that Klint argues for and was supported by the LCA expert from the Technical University of Denmark. A FU must be a function, something the product or test is used for in order to achieve an outcome.
There was a lot of discussion about this point during the defense, both from the opponent, Professor Wencke Gwozdz, Justus Liebig University of Giessen, and from the audience. Because: Doesn’t laundry also have other functions? And can this be a function or functions that is or are actually difficult to measure? Yes, but as Klint demonstrates, it is this (that is, what is needed to perceive something as clean) that has changed the most and also has the greatest impact on the environmental footprint of laundering.
Both during the discussion and in the thesis, Klint draws in clothes and their functions, and I took the opportunity to point out that the use of LCAs is much more problematic for clothing than for laundry, and that his work will thus possibly have greater consequences for this field.
Better data
After the defense, the supervisors and the committee took part in a tour of the Living Lab, flats inside the Chalmers campus area that has been trialing new solutions and more community-based services. A shared laundry room was located centrally in the building by the entrance, and together with a pleasant living room that included tools for repairing clothes, exercising, or a space just for hanging out. The Living Lab has student housing and apartments, and those who live there must approve that data from their laundering is included in research.
Greg Peters explains how data was collected from the washing machines. He holds up a chip similar to those sewn into the clothes to provide data on washing frequency. Not surprisingly, the ethical aspects of this type of data collection were also discussed during the defense.
Supervisor Gregory Peters Professor, Environmental Systems Analysis, Technology Management and Economics, proudly showed off how they had modified the machines to collect data and also the chips they had sewn into the clothes to collect details about washing frequency – among other things. In his work, Klint contrasts what people say and what they do. And the difference is big! Not least, this applies to washing “full machines”, where the result shows that that what people think is a full machine, varies greatly. This has major consequences for the environmental impact of laundry, which easily becomes more than twice as high if the filling rate drops to half capacity. In the comparison of self-reported data and data from the Living Lab, Klint also used pictures to illustrate what the machine looked like when it was fully loaded. This gave a clear picture closer to the actual degree of filling, than words alone.
Numbers and culture
The work done by Klint is based on quantitative analyzes and a lot of number crunching – as is expected in a thesis that seeks to improve an LCA tool. But Klint himself found that the cultural aspects of cleanliness and changes in these, alongside that there are so many different ways of thinking about how things should be sorted and what can be washed together with what, were a very interesting aspect to explore. It was thus with great respect for the nuances of human nature that his analyzes were made. He found that attitudes towards the environment played no role in washing frequency, but that other variables could explain quite a bit. Another nail in the coffin for the idea of ”enlightenment” as important for changing people’s actions.
Increased sensitivity to disgust, shame, or cleanliness norms were associated with a higher washing frequency per person. Thus, most important were shame and disgust – i.e. the discomfort perceived in what dirt and smell causes in social settings.
Both concepts were discussed based on psychological theories and literature on these feelings. Klint argued that people do not load a load of laundry to use (or not use) energy, but to have clean clothes, or because the laundry basket is full. This is obvious – but as long as LCAs are developed with a technical starting point, e.g. how efficient a machine is – it is necessary to point this out and change the LCAs so that what people actually do, is taken into account.
Changes in technology and infrastructure also change habits, and this interaction disappears if only kilograms of laundry are studied, not the need for clean clothes. This then immediately raises bigger questions because what is really a need? And how is it that what is perceived as necessary, common, decent, etc. changes? Klint couldn’t answer everything, and this was not expected. Nevertheless, we couldn’t help ourselves – because his work opens up big questions that will probably become even more urgent if we transfer the discussion from laundry to clothing.
Despite the fact that we at SIFO is neither an LCA expert, nor a strong psychological approach, the conclusions was just as much what we have – or could have – done a lot. The will to find better data than what people themselves report, and not least the combination of technical and social science approaches, made the work familiar in a certain sense. There were also plenty of SIFO references in all the articles.
Cheers for Chalmers
It was fun to take part in this defense, everything from small technical details and information, to the big questions, were handled quickly and professionally. There was a good mix of friendly conviviality and academic celebration over the ceremony.
In the back, from the left, supervisor Greg Peters, Professor of Quantitative Sustainability Assessment, Scientific Director Swedish Life Cycle Center, Division of Environmental Systems Analysis, Department of Technology Management and Economics, Chalmers University of Technology, Professor Lars-Olof Johansson University of Gothenburg, Department of Psychology, Grading committee member Dr Alessio Mastrucci, International Institute for Applied Systems Analysis. Next row: Grading committee members Professor Michael Zwicky Hauschild, Denmark’s Technical University and Professor Ingun Grimstad Klepp, Oslo Metropolitan University, Opponent Professor Wencke Gwozdz, Justus Liebig University of Giessen. In front Erik Klint.
For me, this was an educational trip that shows that other subjects and traditions have a lot to contribute, but also that ideas and traditions we have advocated for decades, such as the importance of the use phase, are indeed supported in other subjects and methodologies.
On 17th April 2024, UCRF (Union of Concerned Researchers in Fashion) hosted a Wardrobe Methods Event in conjunction with the CHANGE research project to explore a way of researching the contents and dynamics of wardrobes.
78 had registered for the event, and 41 attended the webinar on Wardrobe Methods, which is about the use phase in the lives of clothing and the practices that go on there. This has long been seen as a way to break apart the monolithic understanding of ‘use’ and ‘consumption’ that industry and sustainability initiatives often promote. In the attendees at the live meeting, at least 15 different mother tongues spoken: Spanish, Ukrainian, Russian, Dutch, Hungarian, English, Portuguese, Swiss German, Danish, Turkish, Hindi, Italian, German, Polish, Norwegian.
The event hosted by Professor Kate Fletcher and Karishma Kelsey from the UCRF Board was facilitated by a talk from Professor Ingun Grimstad Klepp which gave a round-up of the history of the set of methods, along with current uses, also in policy-work. Here Klepp briefly touched on the new method developed by Consumption Research Norway SIFO called Waste Audit Interviews. This is part of SIFO’s ongoing work on addressing the short-comings of EU’s Textile Strategy, where ‘durability’ and ‘repairability’ are seen as the beacons of a long life for apparel.
The event’s goal was to explore ways to extend wardrobe methods further, including in more diverse ways. The talk was followed by a lively discussion and breakout-sessions. See the whole webinar by clicking here.
The discussions raised many intriguing propositions and development for Wardrobe Methods, a selection from the break-out rooms is summarized here:
Using wardrobe methods to help show the variety of understandings about key terminology related to textile qualities and descriptions, e.g. ‘quality’.
Potential ethnographic study of indigenous Mayan textile artisans in Guatemala, who traditionally weave their own capsule wardrobe but now supplement it with western clothing items.
Using wardrobe studies to investigate ageing and clothing. Look at how the studies can be a guide and pathway to other ways of being.
Taking a lifecycle perspective: look at the wardrobe as history.
Deploying wardrobe methods to investigate identity and identity change: for example, gender, sexuality, everyday life, menopause, pregnancy, biopolitics and non-conforming men.
Investigating how digital apps can go beyond quantification of wardrobe – learn about user preferences, emotional durability, reasons for why clothes fall out of use.
Exploring the assumption that fit translates into longevity of use.
Using wardrobe methods as a way to create behaviour change – increasing engagement and awareness among people for example in power positions and politics.
Qualitative and quantitative data are important. Using hybrid wardrobe methods to investigate items sent for repair or taken to clothing swaps at work places, are good ways to follow their story and give valuable data for the use phase.
Awareness raising power of wardrobe studies, how can we use wardrobe studies in developing new business methods that are not growth oriented?
Comparing with post-Soviet countries, specifically in smaller villages in the country-side to open up bigger cultural context.
The participants were encouraged to contribute with their own related research, and we are looking forward to seeing these and adding them to the Wardrobe Studies Library.
EU’s Joint Research Center (JRC) has asked for contributions to the survey ‘Comments to the working document: Preparatory study on textiles for product policy instruments – 1st milestone‘. During March 18th – 19th, the JRC and registered stakeholders attended the online consultation about the 1st milestone of the preparatory study on textile products.
This is the second contribution related to ESPR (Ecodesign for Sustainable Products Regulation), and our first contribution can be accessed by clicking here.
The consultation process is meant to enable the JRC to improve the work under development and the exchange with registered stakeholders aims to:
– verify the work done to date, and
– collect additional evidence on the investigated topics.
Throughout the whole process, registered stakeholders are invited to provide evidence relevant within the framework of the preparatory study for textile products. Consumption Research Norway has therefore risen to the task, and our contribution can be accessed and downloaded here.
As part of the team working on this, Tone Tobiasson also delivered a separate comment via email to JRC directly, which can be accessed by clicking here.
Volumes, policy measures and Targeted Producer Responsibility all fitted into discussions the week before Easter, where some of us jumped back and forth between Webex, Zoom and Teams, recordings and live webinars. The take-aways are that several policy tools are mired in antiquated ideas that seriously need updating from research, and that the conversations around volumes and sufficiency are what actually can drive change.
STICA’s Climate Action Week coincided with intense webinars from EU’s Joint Research Center on ESPR’s stakeholder review and also PEFCR for apparel and footwear’s open hearing, presented by the Technical Secretariate’s lead. Yes, it was dizzying, but most importantly, Targeted Producer Responsibility and questions surrounding how EU actually plans to address the issue of volumes and degrowing the sector did got airplay.
Kerli Kant Hvass, who is one of our Wasted Textiles partners, presented Targeted Producer Responsibility during the session on the obstacles facing new circular business models during STICA’s Climate Action Week, hosted by Michael Schragger from Sustainable Fashion Academy and lead for Scandinavian Textile Initiative for Climate Action (STICA). In the session Circular Business Models Are Critical for Climate Action – So What Is Preventing Them from Becoming Mainstream? she explained the concept, and continued her argument during the panel discussion towards the end:
“Focusing on the product and assuming this will result in sustainability has serious limitations. Instead, collecting data in the waste streams, and establishing if a product has been used for half a year or for ten years, actually establishing its duration of service (DoS), can give the database for modulating fees.”
TPR got nods
We noticed that Maria Rincon-Lievana, from the EU Commission and DG ENV nodded a lot when Kerli repeated this. Sarah Gray from UK’s WRAP, who is wrapping up a PhD on to what degree circular business models actually have climate and environmental impact, wholeheartedly backed Kerli’s call for dating products in order to gain data on the actual DoS of products for comprehensive LCAs.
“Labelling regulation presents an opportunity (…) for instance introducing the production date on the label (…) we can know how long the product has been circulated at the end of life. If we do waste audits, we can estimate the DoS to understand was it used to 10 years or was it used for two weeks and then it was discarded and it can also support consumers in knowing that they have the right of a legal guarantee from the purchase date of two years during which if the product fails under normal circumstances, they have the right of it being repaired for free.”
“EPR can for instance be based on how long the product was on the market based on waste audits and the date of production, and thus we can modulate who will have to pay a higher fee. We need to incentivize the reduction of the volumes placed on the market.”
This is the whole idea behind TPR, and even if Luca did not specifically mention TPR, he was voicing the principles behind it.
Old-fashioned or not fit for purpose, or both?
So, what is old-fashioned about the approach the policy-makers are taking? What are the tools that are not fit for purpose?
As it was ESPR and PEFCR we were lectured on the same week, the following thoughts arise.
ESPR (Ecodesign for Sustainable Product Regulation) clearly is based on the faulty assumption that 80% of a product’s environmental impact is decided in the design phase. So, it is intertwined with predicting for example durability, repairability, recyclability and thereby assuming DoS. The problem is, as SIFO research shows, only one-third of textile products or apparel go out of use because they are used up, so if ESPR is going to eco-modulate EPR fees (which seems to be the idea) this will be based on pure guess-work, or what could be more diplomatically called predictions.
TPR suggests the opposite, building the eco-modulation on what becomes waste prematurely and modulated ‘against’ what captures value in the new business models, as Kerli so well described in her presentation.
The hen or the egg?
For PEFCR (Product Environmental Category Rules) the problem is that they are meant to underpin ESPR, but JRC have actually not decided if they are fit for purpose, they said as much in their presentation. So, currently PEF seems to be in limbo, perhaps only fit for Green Claims (Baptiste Carriere-Pradal said as much in his presentation, but also hinting that ESPR would have to use PEF).
PEF is not aiming to be a consumer-facing label, only a set of 16 “frankenproducts” (12 for apparel, four for footwear) which you as a company can compare your product to, and say if your product is “greener” than the “frankenproduct” based on very strict LCA parameters. The data-base that these parameters are resting on, have serious data issue, and may be why France when presenting their “amost-PEF-compatible” label, have taken out one of them (physical durability), In addition, France also is not making GHG emissions the most important parameter – counting for 1/4th of the ‘score’, which PEF currently does.
The main problem, though, is understanding. Consumers understanding what and why.
Simply: In ESPR there is a demand for recycled content, and this is heavily stressed. During the sessions, I asked simply “why?” and presented the latest IVL report with a 1.3% climate reduction for large-scale recycling in the EU. What also surfaced during the week was that only 11% of EU’s population want recycled content. So, win-win or lose-lose to demand recycled content?
Apparel for real life or for bureaucratic purposes?
The issue then feeds into PEF, and how the scores of the “frankenproducts” actually have meaning when talking about real life. Why are stockings, socks and leggings the same “frankenproduct”? What are sweaters actually – when we all know they differ enormously and also their function. It seems, in the end, that everything is a desktop solution for real life actualities.
Having good clothes that are fit for purpose, not apparel that fit policy purposes, should be the goal. They will be used the longest and deliver on DoS. Using ESPR, with PEF as the underpinning logic, will not at all help either the environment, climate change or Europe’s consumers.
So, all in all, listening to the STICA webinar, so well organized by Michael Schragger, gives better insight on where we need to go, than both the JRC organized webinar (which sadly is not publicly available even if it was recorded) and the PEFCR webinar (which can actually be accessed), put together. EU still needs to get their heads around that it’s not at the product level, but at the systems level, that change needs to happen. Let’s hope STICA gave them food for thought.
Author: Richa Jha, India, Ambassador @RemakeOurWorld, Member @UCRF
Aim of the study
It was a fact-finding study to create awareness and behavioural change.
The objective of the study
The objective of the study was to find the shopping preferences and volume of clothes owned by an average Indian woman and a man.
What has influenced or inspired your approach?
I was influenced by the Wardrobe studies on this blog and particularly influenced by The Plastic Elephant Report, which said that poor fit and quality leads to wardrobe surplus and in-turn to over-consumption and over-production. Hence, I was curious to find similar statistics for India.
Method
An online questionnaire was circulated to individuals from different cities and professions. The questionnaire was sent to over 400 individuals out of which 105 chose to answer voluntarily.
There were questions such as – How many clothing items they buy? How many times a year? How many clothing items they own by category such as t-shirts, trousers, sarees, etc.? How many items they discard? Do they opt for repair, why not?
The income class of the respondents was middle class and above, i.e. Rs 500,000 per year
70% of the respondents were women and balance were men.
More than 56% were Gen X, another 31% millennials, and 12% Gen Z. More than 56% were from Metros, 36% from Non-metros and the balance 9% were living outside of India.
Calculation of average wardrobe size – In the questionnaire, respondents were asked to tick mark the count for each clothing type such as Trousers, Shirts, T-shirts, Coats, Indian Wears, among others. The ranges were 0-5, 6-10, and so on till more than 30. The wardrobe volume is calculated by adding the average numbers for each clothing type for each individual.
The majority of the respondents shop up to 10 items annually and the average discard rate is also 10 items per person per year.
The volume of clothing owned (by this group) ranges from 30 to 308 in case of women and 27 to 162 in case of men. The mean is 120 for women and 80 for men. For millennial women, average is 110, on the other hand for Gen X it is 130. This suggests that women’s collection grow as they age, over time, they tend to accumulate Indian traditional wear such as sarees.
1 in 4 respondents do not use more than 40% of their wardrobe. The reasons for not utilising the wardrobe fully were occasional wears, woollens, fit issues, out of fashion and lifestyle changes in that order.
Only 20% of the respondents do not opt for repairing their clothes, on the contrary only 13% opt for upcycling. Among those who do not repair or do not opt for professional repair, majority do not see any value in repair or feel that new clothes are available at affordable rates.
The utilisation of the garment is optimum as most people said that they wear the garment till it fades or is worn out. Only for occasional wear or in some cases for formal wears, the number of wears is less. Some respondents mention they prefer to give to charity rather than repairing or upcycling.
But 80% of the respondents are willing to get their clothes repaired through a professional service and are willing to pay 15-20% of the original cost of the dress.
What happened after the study/exercise? What did you do with the results? Did you meet your objectives? How? How were the data used?
The report was shared with all the respondents. It gives them an idea as to where they are as compared to the average and hence may lead to self-induced behavioural change. Link to the report here.
A discussion was held with Sustainable Fashion Advocates from RemakeOurWorld. It further brought out the “whys” from the data such as cultural reasons.
The findings are also used to create awareness campaign through social media.
How could this specific method be used by others (or is it used already)? What are other insights/results that this method can generate?
Quantitative surveys are the most commonly used data collection method in Market Research.
How could the results of your study/experience be used by others (or are they used already)? What is the most important experience you want to share with those who are new to wardrobe studies?
Need for bigger and scientifically chosen sample if conducting a quantitative study
In the count, have zero/none separately from lower counts, i.e. instead of having 0-5, have none, and 1-5
What insights does this method generate?
It gives quantitative data on the total volume of clothes owned and clothing type. Filling this survey itself was an eye-opener for many and for them to realise their ownership, usage and surplus. The questions on repair and upcycling will also lead to plausible solutions, such as repair, alter, resale, lend or rent to increase wardrobe utilisation.
Metro – Metropolitan areas – Such as National Capital Region of Delhi, Mumbai, Bangaluru, Hyderabad, Ahmedabad, Pune and Jaipur
Non – Metro – All other Tier-2 and 3 Towns such as Indore, Dehradun, Rajkot, Bharuch, Coimbatore, Trivandrum, Ludhiana etc.
Saree – a garment consisting of a length of cotton or silk elaborately draped around the body, traditionally worn by women from South Asia.
Lehenga – Lehenga is a three-piece ensemble consists of the actual lehenga, a long ankle-length skirt, a well-fitted blouse top known as the choli, and a scarf to drape around the outfit, known as the dupatta.
Gen X – 43 to 58 Years I Millennials – 27 to 42 Years I Gen Z – 18 to 26 Years
The main point made during EcoAge and MEP Alessandra Moretti’s joint event in the EU Parliament was to link the increased plastification in the fashion sector with social injustice upstream and downstream in the value-chain.
Livia Firth, founder of EcoAge and moderator of Fashionscapes for Transformation, has relentlessly these last months hammered in the point that these are two sides of the same problem at several high-profile events, namely the massive overproduction of apparel. No less for the second time in the EU Parliament.
The mix of speakers and participants was impressive, with representatives both old and young, from industry and research, as well as political heavy-weights, and voices both from the Global South and North. The voices heard during the event were diverse, but unison in their messaging: The massive overproduction, based on cheap synthetics, cannot continue. This has even sunk in with the policy-makers, who echoed the same concerns in well-prepared speeches, in line with Commissioner Virginijus Sinkevičius key-note, stating “fast fashion must become past fashion”.
SIFO’s Ingun Grimstad Klepp, who had been – together with Irene Maldini – a speaker at the last EcoAge event in the Parliament, had no official role in Fashionscapes; however, Livia Firth asked her intervention after the panel had presented and discussed multiple aspects related to social issues missing from the Textile Strategy, and what instruments could encourage deplastifying. The much-repeated idea that quality or durability are the silver-bullet that will instantly degrow the sector was, however, debunked by Klepp. But before getting to this, let us dive into the proceedings.
MEP Beatrice Covassi in the foreground. Right before Ingun Klepp (seated to her right behind) was asked to intervene.
It was to be sure, an intense two-hour wake-up call, related to EU’s Textile strategy and Green Transition. MEP Alessandra Moretti, as hostess of the event and key note speaker Commissioner Virginijus Sinkevičius both high-lighted how ambitious these plans are, and had many good points in what they brought forward. Where disagreement surfaced, was around fiber-to-fiber recycling of synthetics – presented as a potential for a thriving new European industrial bonanza. As several pointed out, this will only increase the use of synthetics, continue to bring down prices and result in even more microplastics. As China produces 95% of today’s synthetics, why should they sit back and see Europe take over the market? That is not how market economics work. This is a blind alley, or as we say in Norwegian ‘believing in Santa Claus’, as several in the audience reiterated.
The main theme was divesting the fashion industry of its fossil fuel reliance, of course also in the fiber area, with waste colonialism and degradation of nature in the global south to satisfy the constant craving for newness in the global north, resulting in massive overproduction. This is of course based on fossil fuel input, but as just pointed at, recycling the same material is not the answer.
Livia Firth, MEP Alessandra Moretti, Commisioner Virginijus Sinkevičius, Simon Giuliani from Candiani Denim and CEO Laurence Tubiana, European Climate Foundation (ECF).
“This shows how the issues cannot be dealt with in isolation, but we need to look at them more holistically than is currently done in the 16 (or more) legislative pieces forthcoming from the EU,” was echoed by several participants after the meeting.
Laurence Tubiana, CEO of European Climate Foundation, who was the last speaker on the panel, claimed she was rather shocked that social issues are not better integrated into the Textile strategy where 80% of the work-force, we were told, is female and does not receive a living wage. However, these workers are also the ones facing the brunt of climate change, toxic chemicals in the soils and waterways, alongside being at the receiving end of our textile waste.
“Children in Ghana grow up not knowing what the ground looks like, as it covered with a permanent layer of textile waste,” Matteo Ward, Co-Founder of Wrad Living, told the audience. He was echoed by Yayra Aghofah, Founder of The Revival in Ghana who pointed out that they have to pay for this same waste that pollutes their environment and that will eventually end up as microplastics. This sad fate, several came back to.
MEP Beatrice Covassi immediately followed up Ingun Klepp’s intervention, requested by Livia Firth, Yayra Aghofah, founder of The Revival, online, in the background.
Black Friday was also a theme, as Yayra Aghofah suggested that they would be inundated with the results of this frenzy very soon, so action is needed now, not in 2026 or 2030. This, of course, underpins the need of immediately labelling season and year products go to market, so that Duration of Service can be captured when the items go into the diverse waste streams. Panelist Paola Migliorini from DG Environment claimed the EU “is helpless in regulating Black Friday”; ignoring that there are ways to legislate or counter-act such market forces with so obviously devastating outcomes. However, it was positive that overproduction had such a central place in the proceedings, both related to how they tie in with the plastification of fashion and with waste colonialism.
Three from the audience were asked to intervene at the end, the first was Urska Trunk from Changing Markets Foundation, talking about the source for polyester for several fashion companies is still Russian oil.
Ingun Klepp, MEP Alessandra Moretti, and to the far right MEP Beatrice Covassi. The woman in the middle of th MEP-bouquet we haven’t yet identified…
Then Ingun Klepp was asked to comment on ‘quality’, and she explained how the only information consumers receive is price, and this isn’t necessarily directly related to quality. She then went on to say that with the EU’s strategy focusing on durability, plastics will win. This in light of the reality that people do not discard textiles because they are ‘used up’, and this is the problem facing the Global South and receivers such as The Revival. Especially as there is more and more polyester, and will be more, and these materials, when exported to the Global South rather than incinerated, will eventually end up as microplastics.
This was immediately picked up by MEP Beatrice Covassi, who clearly was frustrated with the fact that the consumer has so little information about the products available and thus struggles to make good choices, and wanted to applaud professor Klepp’s input.
The last person, who was asked to comment, was Nicholas Rochat, Founder of the plastic-free sportsbrand Mover, who said that with more recycled polyester – even fiber to fiber – will only contribute to more microplastics. He described being in the mountains at 2000 meters, and still encountering microplastics, and no longer being able to eat fish, as they are contaminated.
But the main take-away was that the Commission seems to have a belief that all the 16 plus different policy instruments will ‘even everything out’, but the reality is that they are in danger of making things worse in tandem, actually promoting synthetics, if the focus on durability continues alongside eco-modulating fees based on weight.
As the participants filed out, one of them sidled over to Klepp and said, simply: “Norway, douze points”.
Wardrobe studies have formed an integral part of my PhD research entitled Sensory Nourishment. I collaborate with people who are neurodivergent: people on the autism spectrum, people with ADHD, people who experience the sensations in our environments at amplified, and often unbearable levels. This can have a profound impact on their well-being, disabling their interactions with the world around them. As a fashion designer I am concerned with the sensory inputs from our closest environment, our clothing. My objective with the wardrobe studies has been to identify neurodivergent individuals’ clothing triggers and glimmers.
Background
One participant described her body as “being too porous so too many of the wrong sensations get through. This leads to sensory overwhelm which is exhausting to process and very distressing for my body” (Anna, 36). The author Katherine May, who herself is on the autism spectrum, writes about sensations “that scream so loud that you want to retreat”. And how she “inhabit(s) a body that simply stops responding when it reaches its point of overwhelm.” (May, 2018) On the flipside, another informant explained that “with heightened sensitivities, the reward is high. When the sensory input is right, it is wonderful!” (Eva, 55).
Context
My adoption of a wardrobe methodology was inspired by an encounter I had with Herman, an autistic teenage boy. When visiting his home, I laid out the early prototypes for a knitted textile I was developing. He screwed up his face and pushed them away. He left the room. Sometime later Herman returned with his mother’s cashmere sweater. His eyes lit up as he pressed it against his cheek. He placed the sweater in my hands and said, “I want it to feel like this”. I visited Herman several times and we developed a very fluid dialogue through tangible objects that he would collect for me to feel. This encounter completely shifted my way of working as a designer. Rather than projecting my solutions onto a user, I saw the importance of being guided by their lived experiences and learning through the objects they surround themselves with in order to live well.
Wardrobe study in a home Photographer: Anders Myklebust
Recruitment
Over the last two years I have interviewed a further 70 neurodivergent informants. For some it is simply a quick chat. For others it has been a series of intensive meetings spanning a couple of years; our collaborative dialogue and articulation of sensory experiences sharpening with each rendezvous. The informants range from non-verbal children to active teenagers, to young professionals, to a factory worker and a diplomat in their 60s. They are all in mainstream education or full-time employment. The wardrobes I examine are situated mainly in Northern Europe: physically, culturally, and climatically.
Adaptation of methodology
I use the term wardrobe both literally and metaphorically (Klepp & Bjerck, 2014). My intention was to visit each participant’s physical wardrobe in their home. For most participants that has been the case. However, for some it felt too intimate. So, they packed up the contents of their wardrobes into shopping bags and brought them to nearby cafes. For a few, the loud background sounds of a cafe were too overwhelming, so they let me rummage through their drawers in the privacy of their work offices. I embraced every opportunity for a wardrobe study, even unpacking the contents of someone’s suitcase at a conference. Covid-19 restrictions meant that sometimes there was a computer screen partitioning me from the wardrobe. The adaptability of the wardrobe methodology was key, in particular with participants who are non-verbal or have communication challenges. The red thread through each adaptation was a sensory ethnographic approach that was “not so much to study other people’s sensory values and behaviours, but to collaborate with them to explore and identify these.” (Pink, 2009)
Stories from meetings with wardrobes
Stine, 26, Researcher Study Location: Community project & her home
Stine anticipated some knee and hip flexing as we shovelled the ground so some stretch in the trousers was essential. She also anticipated that the ground might be abrasive. Toughness was therefore an equally important characteristic to ease of movement. She had settled on a pair of jeans with a little elastic content. However, she now regretted that decision as the hardware from the waistband was digging into her abdomen as she loaded stones from the ground into a wheelbarrow. Her trousers restricted this bending action by tightening the fabric across her obliques. This particular sensation is a daily obstacle for Stine. It can become so overwhelming that she cannot concentrate on anything else. Over several meet-ups, in Stine’s home, we refined the description of this sensation as akin to that of a stranger slowly sliding their hand around your waist. The sensation approaches from behind. You can’t quite process it until it’s too late. Physically you feel restricted. Emotionally you feel violated. Socially you don’t want to cause a scene.
Left: Stine climbing trees in her jeans Right: Laila choreographing with her snowsuit Photographer: Anders Myklebust
Laila, 4, Barnehagebarn (Kindergarten-kid) Study Location: Her parent’s apartment
As Laila’s mother led me inside, Laila started to scream and cry. She lay down on the floor, clinging on with determination. Growing tired, Laila wandered off. Her mother nudged my gaze towards the porch. Laila pulled the snowsuit up over her legs and let it rest at her waist. She put her right arm inside a padded sleeve, and then her left. She shrugged it up over her shoulders. Ever so slowly and with great attention she pulled up the zipper with her tiny hands. She then pulled the hood over her head and sighed. As she blocked out the room the crying stopped, the incessant movement subsided, the screaming ceased. Then Laila reversed these actions. The snowsuit was around her ankles once again. She repeated the dressing actions. Then the undressing. Again, again and again.
Tom, 38, Innovation Manager Study Location: Many cafés
Given the snowstorm outside, it was quite peculiar to be greeted by a bottle of sunscreen placed in the middle of our table. Tom explained that he thought it would be helpful to begin with an abstract of sorts, an executive summary of his sensory dislikes. These were embodied in the bottle of sunscreen: perfumed smell, coldness, slimy texture, someone else must touch you to put it on your back. From under the table, Tom pulled out his comfort shirt from a shopping bag. He let me take it home so I could live with it. Its synthetic fibres and overlocked seams contradicted every other participant’s preference so far. The others exclusively wore natural fibres, covered up thick seams and cut out every label.
Some weeks later, Tom and I met so I could return the shirt. He had kept notes on a new tweed blazer he had bought. Standing in front of the mirror in the store, he had concluded that it fitted his body perfectly. Across the back there was an ease of movement, and the cut was flattering. It projected the confidence of the character he wanted to inhabit at Monday’s presentation. However, on Monday morning, the blazer inhabited him. Tom is very animated with his arms as he presents. The blazer was catching on the top of his inner arm. A catching that restricted him physically and distracted him mentally. This catching made a sound. The longer he wore the jacket the smell of the fabric became more potent. “I couldn’t find a way to decode the experience, it was eating me up, it was almost animalistic, like an animal on my back with the sound and the smell and the restriction to my arms.”
Tom’s sunscreen and comfort shirt Photographer: Anders Myklebust
Examples of insights
Cheap construction, as a result of fast fashion, is one of the main culprits for sensory overwhelm: synthetic fibres, roughly overlocked seams, careless labelling, restrictive cuts.
Natural fibres are overwhelmingly preferred because of tactility, smell, sound, and thermal regulation. However, tactile perception, preferences and vernacular vary between participants. For some cashmere is a “soft” fabric. For others cashmere has small hairy fibres that cling to the skin. Such participants describe a smooth shirting cotton as “soft”.
Dominant fashion design practices are traditionally visual and static in their conception of clothing (Skjold, 2018). The wardrobe studies allowed me to see clothing as an act of dressing, a practice of wearing, a series of dynamic actions. This has shifted the moving body to the forefront of my design process.
The potential for movement facilitates a physical freedom that is inextricably linked to emotional freedom: freedom of choice, freedom from judgement, freedom to move through the day free from distractions and restrictions.
Comfort is more than simply soft materials or a lack of constraint. It is being able to comfort yourself at times of great discomfort. It is being comfortable with how you are socially presented: “the embedded meanings so implied, can be a source of ease and calm – or its reverse.” (Twigg, 2010)
Clothing has the potential to activate pleasant sensory stimulation that overrides or dampens problematic sensory inputs from other sources.
Outcomes
The analysis of these wardrobe studies will be published in my PhD monograph (anticipated in 2024). A second component to my PhD is the translation of this analysis into my design practice. Currently I am working with three participants to create a garment each by designing out the depleting sensory inputs and indulging the sensations that nourish. The anticipated result is a series of iterative prototypes whose contribution is less about the final product and more about a way of working. Ethnography is no longer confined to defining design needs. I am now integrating applied ethnography within my design process.
The project has also received innovation funding from NTNU Discovery with the ambition of embedding the wardrobe study insights within the fashion industry by advising companies on more considered approaches to how we craft sensory experiences in terms of design, manufacturing, and shopping.
References
Klepp, I.G. and Bjerck, M. (2014) A Methodological Approach to the Materiality of Clothing: Wardrobe Studies. International Journal of Social Research Methodology, 17(4), pp. 373-386.
May, K. (2018) The Electricity of Every Living Thing. London: Trapeze.
Pink, S. (2009) Doing Sensory Ethnography. 1st edn. London: SAGE Publications Inc.
Skjold, E. (2018) Making sense of dress: On sensory perspectives of wardrobe research. Artifact: Journal of Design Practice, 5(1), pp. 4.1-4.15.
Twigg, J. (2010) Clothing and dementia: A neglected dimension? Journal of Aging Studies, 24(4), pp. 223-230.
Wardrobe and Climate was the over-arching theme for a CHANGE event at the Norwegian Folk Museum in Oslo: how we can convey historical knowledge about resource thinking, crafts and wardrobe joy in the museum’s costume collections. An academic hybrid conference morphed into a hands-on evening.
“How did they do it?” was the big question posed during the hybrid seminar during the day, where around 25 attended in person and the same number joined us virtually; and where Ingun Grimstad Klepp and Ingrid Haugsrud, both from Consumption Research Norway (SIFO) at Oslo Metropolitan University, spoke about two forthcoming papers. These are: Variety in dress: Norwegian and Swedish clothing 1780-1880, co-authored by Bjørn Sverre Hol Haugen, Marie Ulväng, Pernilla Rasmussen, Ingun Grimstad Klepp and Ingrid Haugsrud, and Towards a closet full of clothes, but nothing to wear: Wardrobe planning regimes in women’s weekly magazines 1908-2023.Here the authors are Ingrid Haugsrud, Ingun Grimstad Klepp and Vilde Haugrønning.
Ingrid Haugsrud presented findings from Norway’s oldest women’s magazine.
The headline was “Unused resources for CHANGE: Fashion, history and sustainability”, and the question was why does history matter? Why do we need to talk about historical practices in the discussion around the environmental impact of textiles and clothing? asked Professor Ingun Grimstad Klepp, before she then went into how dress-practices from Norway and Sweden during the 100-year period spanning from 1780 till 1880, could offer clues to variety without excessive wastefulness. The red thread being that when we have less clothes, we take much better care of them and assign them high value.
This was followed by Ingrid Haugsrud speaking about “A closet full of clothes, but nothing to wear. Wardrobe planning in Norwegian weekly magazines 1908-2023”, where her analysis of three time-periods in the history of Norway’s oldest surviving women’s magazine which is KK (Kvinner og klær), that started out as Nordisk Mønstertidning. The three main themes that emerged for early 1900s, 1970s and 2020s were: Making do with what one had and at the same time creating variety, mix and match wardrobes (creating an illusion of having more than one actually does) and finally “the capsule wardrobe” and cleaning out/ridding oneself of unused things. The latter having led to a waste colonialism issue in the global south as an unforeseen problem.
Else Skjold led the panel, engaging both the physical and the digital audience.
After the two talks speakers were done, they were joined in a panel by Bjørn Sverre Hol Haugen, Marie Ulväng and Pernilla Rasmussen, monitored by Else Skjold. Here Marie Ulväng pointed out that in the 19th century, a household-budget for apparel was as much as 1/4th of the total. Which is a far cry from today’s share.
Later the same day, many of the participants joined others for a hands-on behind-the-scenes deep-diving into old wardrobes and textile know-how. Participants guessed what materials were hidden in jars based only on how they felt to touch, and also the weight of two garments, an old wool skirt which had belonged to Åse Roe from Tinn in Norway and a silk dress woven in the 1750s, with several reincarnations in the 1800 and 1900s.
Hands-on research: Is it silk, viscose or…?
The audience was also invited to talk about their own wardrobes and clothes with Ingun and Ingrid in what evolved as a deep-dive in a theme that was brought forward during the hybrid seminar: a need for a better language about our wardrobes and what makes them sustainable. Watch and listen to the hybrid webinar by clicking here
Engaged participants discussing with Ingun and Ingrid.
