A real CHANGE

Casual and formal on a trajectory to merge? This question is emerging both in research and when looking at consumer trends for clothing and fashion.

As part of the CHANGE project, one trajectory being explored is a return to clothing that is more versatile and less defined by occasion. In this exploration, a “mix and match” approach is being explored, which seems to resonate with a market in transition post-Covid.

Hugo Boss recently launched the knitted suit in cooperation with Woolmark, a new knitting technology with four-way stretch that makes the suit extremely versatile and enables the wearer a freedom of movement that most certainly allows for some leisure activity. At the same time leisure wear is becoming more formalized and an outdoor windbreaker now even has a place in a city setting, we heard during the recent IWTO Roundtable in Nuremberg in Germany, where Francesco Magri, Woolmark, talked about “the new suit”. He spoke about the “post streetwear” and affirmation of a “new” formal, and the return of conviviality and the “weekly” eveningwear.

We also saw an “urban hiking boot” being launched by Norwegian brand Alfa – which finds a place both to and from work, and hiking (click here to see the shoes). One could say athleisure (the merging of leisure and athletics) is further leaching into other aspects of our lives, which is echoed by the recently released State of Fashion report 2023, from Business of Fashion and McKinsey & Company, which alludes to this same change in mode of dress:

The recent report from Business of Fashion and McKinsey & Company

«Even before the pandemic and the hybrid-working paradigm of today, office attire was relaxing. Hoodies, jeans and sneakers became increasingly acceptable in many offices. Even banks and professional services firms — with entrenched suit and tie cultures — have acknowledged that office dress codes need modernizing. In 2019, Goldman Sachs announced a firm-wide flexible dress code, encouraging employees to use their judgment when deciding whether they should, or should not, ditch their suits for a more casual look.”

After the IWTO’s Round Table, the Secretary General, Dalena White, commented that this was a function of how people commute: On bikes and scooters, rather than in cars or over-crowded public transport. This means work-clothes need to adapt. But what then about women? Let’s return to the State of Fashion Report 2023, which highlights a new gender-fluidity as well:

“In women’s wardrobes, where dresses have long ruled both office and evening wear, a new take on the pant suit emerged in 2022. Labels such as J.Crew and The Frankie Shop showcased oversized suits and trousers in soft materials for customers looking for polished, fashionable but comfortable styles. Workwear label M.M. LaFleur has honed its ‘power casual’ category of structured knit tops and washable twill trousers. The brand said FORMALWEAR REINVENTED in early 2022 that its power casual styles were generating triple the sales of dresses that used to drive about a third of the company’s sales prior to the pandemic details that bridge formal and casual attire — such as formal cuts in comfortable materials that often incorporate performance fabrics, like sweat wicking or stretch — are also in high demand. For example, cashmere joggers from Burberry and Loro Piana or linen and crochet shirts from Jil Sander and Jigsaw can be dressed up or down depending on the occasion.”

Where does the shift in workwear leave formal wear? And how is the shift in more formalization of casual wear leave the whole idea of the need for very different clothes for different occasions, perhaps one of the main drivers in the current over-production of clothing? If your outdoor sports jacket also can be worn to work, if your work suit can be acceptable for leisure – why on earth would you need clothes that clearly signal formal or casual?

This opens up a whole new possibility to mix and match, combine a classic, formal jacket with jeans, or a wool sweater with a suit. Trends that have been emerging for quite some time – but are now taking hold.

Report from IWTO’s Round Table 2022

There seems to be renewed hope for strong wool and local production. Especially with a focus on regenerative grazing and looking at wool’s possible new (and perhaps old, but forgotten) applications.

Regenerative agriculture was a major topic at the IWTO’s Round Table in Nuremberg, Germany, and the possibility of natural fibers to make a positive contribution to climate sequestration, to biodiversity and to soil health. Heinz Zeller from Hugo Boss, said that by 2030, all natural fibers the fashion brand uses must either be from regenerative agriculture or recycled sources. UK-based Merino farmer Lesley Prior, who is helping to establish a Merino breed in several European countries with sheep that can withstand a varied climate, also spoke a lot about the theme. Prior has worked for many years with small brands in the UK, such as Finisterre. “In England they have very strict rules about what you have to report and measure,” she explained, impressing everyone with her knowledge and passion. “Remember your woolen clothes are carbon stocks,” said Prior, to eager applause.

Andy Caughey, Wool Impact, showed the decline in “strong wool” prices on the international market. (Photo: IWTO/Nickland Media)

For Polish and Norwegian wool, two lectures were of great interest. Andy Caughey, head of Wool Impact in New Zealand, aims to make “strong wool” – i.e. the same wool as Norwegian crossbred wool – “great again”. “Stop looking at the floor,” he said, referring in particular to the wall-to-wall carpets. It is all about finding new and better applications for this wool, alongside carpets and knitting yarns. Wool winter boots are an emerging market, following the footsteps of Allbirds, Kastel and many others. The new company, Wool Impact, is funded by the New Zealand government, and among the examples Caughey showed were wool band-aids (which are biodegradable), sound-absorbing panels, face masks, air filters and nappies and sanitary pads, all in wool and potentially biodegradable if disposed of in the right manner.

New Zealand, unlike Norway, does not have wool subsidies, so the cost of shearing the crossbred sheep is today higher than what the farmer receives for the wool. In connection with the use of wool in wall panels for sound absorption, a company in New Zealand had developed an additive based on a food supplement, to ensure their flame retardancy. Strict requirements for a material that is naturally flame retardant has been a headache for many, including those who supply woolen products to the military, fire brigades, police and aerospace.

Reina Oving, The Knitwit Stable in Holland, has captured the attention of the EU bureaucrats for her innovative use of Dutch wool. (Photo: IWTO/Nickland Media)

Reina Ovinge, from Holland, talked about her local wool project in Holland, The Knitwit Stable. She had worked in the fashion industry for many years, but got tired of the pressure on prices and the constant call for new collections. Although she only has 35 sheep and 35 goats, her work arouses great interest, also among EU bureaucrats, who have visited her set-up. The EU also has agreed to fund a knitting-machine, so that she can now produce clothing and other items on demand. This has led to capsule collection cooperation with Dutch fashion brands such as Scotch & Soda and Humanoid, small collections that command high prices. She has visited both Hillesvåg and Telespinn, she said, for inspiration.

We also heard about French wool (Roquefort cheese would not have had a place on shop shelves without sheep) which is mostly thrown away. France is very much struggling with the lack of a value chain for wool. We also heard about a new grazing project in the USA where the sheep graze in conjunction with solar panels, because the grass under these would otherwise have had to be cut by machines. Here, too, the topic was carbon capture, which Lesley Prior also repeated several times. She believes (but has no proof as of yet) that she is at least carbon neutral on her Tellenby Farm, perhaps even sequestering carbon. In addition, she used a reporting system called “Fair to Nature” which assesses the farm’s contribution to biodiversity every two years. And she isotope-labels the wool so that wherever it ends up, it can be traced back to her. Provenance was also something that several speakers claimed was increasingly important. In New Zealand, there is a labeling scheme that covers both the wool and the meat, New Zealand Farm Assured.

Lesley Prior had a bee in her bonnet about all that should be counted (with all the schemes and bureaucracy governing agriculture), what can be counted… and what actually counts. This is an ever-recurring discussion when it comes to regenerative agriculture, where what everyone can observe (birds chirping, bees buzzing) is probably as important as the measurement of carbon in the soil.

Lesley Prior, who breeds Merino sheep that thrive in Europe, gave one of the most compelling talks. (Photo: IWTO/Nickland Media)

Whether local European wool can be used better was not a major theme during the conference, but it did resurface, and especially related to manufacturing. Nuremberg, with its famous Christmas market in the old town, is Südwolle’s hometown and therefore also the scene of the conference this time, as they were the main sponsor. Südwolle and Schneider are competitors, but at the wool congress both companies agreed that they want more production in Europe, but are struggling to recruit labor.

The topic of whether it is one of the solutions to bring down the enormous increase in production, to move production back to where consumption takes place, rather than a pessimistic belief that we will have a thriving fiber-to-fiber recycling industry in the EU, has only just begun. Interestingly enough, in light of all the arrows pointing down for the apparel industry, in light of rising prices and inflation, there was one industry that was optimistic, and that was the factory machinery manufacturers. They envision that more people than Hugo Boss will knit – and more locally – based on what is called “just-in-time” production.

Ovinge had bought herself a Stoll knitting-machine with EU funding, as mentioned, others will probably follow suit.

Acoustic Performance of Sound Absorbing Materials Produced from Wool of Local Mountain Sheep

Katarzyna Kobiela-Mendrek, Marcin Bączek, Jan Broda, Monika Rom, Ingvild Espelien and Ingun Klepp

Abstract

Wool of mountain sheep, treated nowadays as a waste or troublesome byproduct of sheep husbandry, was used for the production of sound-absorbing materials. Felts of two different thicknesses were produced from loose fibres. Additionally, two types of yarn,ring-spun and core rug, were obtained. The yarns were used for the production of tufted fabric with cut and loop piles. During the examinations, basic parameters of the obtained materials were determined. Then, according to standard procedure with the use of impedance tube, the sound absorption coefficient was measured, and the noise reduction coefficient (NRC) was calculated. It was revealed that felt produced from coarse wool exhibits high porosity, and its sound-absorbing capacity is strongly related to the felt thickness. For thicker felt the NRC achieved0.4, which is comparable with the NRC of commercial ceiling tiles. It was shown that the crucial parameter influencing the sound absorption of the tufted fabrics was the pile height. For both types of yarns, when the height of the pile was increased from 12 to 16 mm, the NRC increased from 0.4 to 0.42. The manufactured materials made from local wool possess good absorption capacity, similar to commercial products usually made from more expensive wool types. The materials look nice and can be used for noise reduction as inner acoustic screens, panels, or carpets.

Click here to read the full article (mdpi.com).

WOOLUME: Mapping the market for acoustic and sound absorbing products made of wool

Anna Schytte Sigaard and Vilde Haugrønning

Abstract

This report is the first deliverable from work package 2 of the WOOLUME project. The main goal of WOOLUME is to
explore different ways of using wool from Polish Mountain Sheep to achieve better utilisation of resources and value
creation. The aim of the report has been to map the market for acoustic and sound absorbing products made of wool to
examine the potential to introduce coarse wool as a material. This has been done through desktop research and
interviews with a focus on the qualities of wool as a natural product. Findings show that though man-made materials
dominate the market for acoustic products due to lower prices, wool is preferred as a material due to its natural
properties as well as aesthetics. Producers using wool consider their products to be high-end, intended for people who
want very good quality products and who are willing to pay a higher price to achieve this. However, few producers use
coarse wool in these products, and many are made of pure Merino wool. Using Merino wool which is often considered
of very fine quality due to the low micron-count does not correspond with the ideal of good utilisation of resources.
Therefore, we are proposing to utilise coarse wool which today is discarded as a mere by-product to meat-production.
Merino could instead be used for products where fineness and softness are important factors such as for clothing. In
addition, we argue for the rawness and uniqueness of the look of coarse wool as positive in terms of aesthetics and as
something that adds to the position of acoustic products made of wool as high-end.

Click here to read the full report (oda.oslomet.no).

Environmental impacts associated with the production, use, and end-of-life of a woollen garment

S.G. Wiedemann, L. Biggs, B. Nebel, K. Bauch, K. Laitala, I.G. Klepp, P.G. Swan and K. Watson.

Abstract

Purpose

The textiles industry is a substantial contributor to environmental impacts through the production, processing, use, and end-of-life of garments. Wool is a high value, natural, and renewable fibre that is used to produce a wide range of garments, from active leisure wear to formal wear, and represents a small segment of the global fashion industry. Woollen garments are produced by long, global value chains extending from the production of ‘greasy’ wool on sheep farms, through processing to garment make-up, retail, consumer use, and end-of-life. To date, there have been limited life cycle assessment (LCA) studies on the environmental impacts of the full supply chain or use phase of garments, with the majority of wool LCA studies focusing on a segment of the supply chain. This study aimed to address this knowledge gap via a cradle-to-grave LCA of a woollen garment.

Methods

This study investigated greenhouse gas (GHG) emissions, fossil fuel energy, and water stress associated with the production, use, and end-of-life of a lightweight woollen sweater (300-g wool), together with inventory results for freshwater consumption and land occupation. Primary datasets were used for the wool production and wool processing stages, while primary datasets relating to consumer garment use were supplemented with literature data. Impacts were calculated and reported per garment wear event.

Results and discussion

Impacts per wear were 0.17 (± 0.02) kg CO2-e GHG, 0.88 (± 0.18) MJ fossil energy, and 0.96 (± 0.42) H2O-e water stress. Fossil fuel energy was dominated by wool processing, with substantial contributions of energy also arising from retail and garment care. Greenhouse gas emissions from wool production (farming) contributed the highest proportion of impacts, followed by lower contributions from processing and garment care. Contributions to water stress varied less across the supply chain, with major contributions arising from production, processing, and garment use.

Conclusions

Opportunities to improve the efficiency of production, processing, and garment care exist, which could also reduce resource use and impacts from wool. However, the number of garment wear events and length of garment lifetime was found to be the most influential factor in determining garment impacts. This indicated that consumers have the largest capacity to influence the sustainability of their woollen garments by maximising the active garment lifespan which will reduce overall impacts.

Click here to read the full article (springer.com).

KRUS final report: Enhancing local value chains in Norway

Ingun Grimstad Klepp, Tone Skårdal Tobiasson, Vilde Haugrønning, Gunnar Vittersø, Lise Grøva, Torhild Kvingedal, Ingvild Espelien & Elin Kubberød

From its initiation in 2015 to the end in 2019, KRUS had two goals: to improve the market for and the value of Norwegian wool, and survey the opportunities for local production in a move towards a goal of sustainability in the fashion sector. On a larger scale, KRUS has looked at how we can re-establish an understanding of the connection between the raw material and the finished product within the textile industry and among consumers. It is critical to understand this connection, both to ensure quality products and to reach the market potential for Norwegian wool.

To restore the understanding of “where clothes come from” is also at the heart of challenges currently facing the textile industry. The consumption and production of textiles faces major challenges and changes in the future. Today the industry is characterized by low control and little knowledge, while growth in quantity, environmental impact, as well as stress on animals and humans is high. KRUS has contributed to the debate on sustainable clothing by focusing on local value-chains and locally produced apparel.

The focus on Norwegian wool and the specific qualities of the different breeds has played an essential role for Norwegian textile tradition and dress culture, and a better understanding of this has been essential to the project. An important challenge for Norwegian wool is that it has not been marketed with any kind of label of origin. Private actors have thus entered the field and developed their own private labels for Norwegian wool. In addition, there are few products on the market containing Norwegian wool beyond hand-knitting yarn, which means that availability has been limited.

Throughout the project, we have seen a shift, especially for older sheep breeds, which have posed a special challenge. Their wool is central in keeping Norwegian handicrafts alive, but the quality on some of the wool types has been declining. For others, the challenge is that much of the wool is not taken care of, and constitutes a waste problem. Through breeding-projects, work collaboration, looking closely at labelling systems and business models, KRUS has addressed these challenges.

Click here to read the full report (oda.oslomet.no)

Nisseluelandet—The Impact of Local Clothes for the Survival of a Textile Industry in Norway

Ingun Grimstad Klepp & Kirsi Laitala

Abstract

The article discusses the importance of local clothing for the survival of the Norwegian textile industry. It draws upon stakeholder interviews, as well as desktop research. Local clothes are discussed as they are understood by consumers, as knitted sweaters, bunads (Norwegian national costumes), and home-made clothing. The review shows how these products, and especially the materials used in their production, have been crucial for the continued existence of the Norwegian textile industry. We argue that the concept “local clothes” can contribute to showcasing resources outside the global “fast fashion” manufacturing system.

Click here to read the full article (tandfonline.com)

Use phase of apparel: A Literature review for Life Cycle Assessment with focus on wool.

Kirsi Laitala, Ingun Grimstad Klepp & Beverley Henry

Summary

This report presents a literature review of clothing use phase. The purpose is to support improved methodological development for accounting for the use phase in Life Cycle Assessment (LCA) of apparel. All relevant textile fibres are included in the review. However, the main focus is on wool. We ask whether the use of wool has different environmental impacts than clothes in other fibres. The report builds on a review of literature from the past 20 years. The review showed that clothing made from different materials are used, and reused in different ways. Wool is washed differently as it has about ten degrees lower washing temperature than the average laundry in Europe. Wool is also more likely to be either dry-cleaned or washed by hand than other textiles. Moreover, when dried, it is less likely to be tumble-dried.

When comparing the number of days between the washes of different types of clothes, we found that respondents were likely to use their woollen products about twice as long between washes compared to their equivalent cotton products. We also found that woollen products had a longer average lifespan and were more likely to be reused or recycled. There is a lot of research-based information available concerning the use and re-use of clothing, and we believe there are sufficient results available on which to base LCA studies. Furthermore, we believe that environmental tools that compare different fibres but exclude use phase provide misleading results. Including the use phase in fibre ranking benchmark tools will improve the rigour and accuracy of these tools for all fibres, compared to reporting results for fibre production only. However, we have also shown that there are several methodological, conceptual and empirical knowledge gaps in existing literature.

Click here to read the full report (researchgate.net)

Global laundering practices: Alternatives to machine washing

Kirsi Laitala, Ingun Grimstad Klepp & Beverly Henry

Abstract

This article discusses laundering practices around the world including alternative methods such as washing by hand, airing, steaming, and dry-cleaning. These methods, which have received little attention in research, are often more suited to products made of wool, silk or other materials able to be cleaned using gentler techniques than more commonly used fibers such as cotton and synthetics. The material is based on extensive literature review from the past 20 years and reanalysis of previously unpublished survey data. The results show that washing by hand is common and that is the main laundering method in most rural areas of developing countries, but also significant for smaller portion of laundry in developed countries. Dry cleaning is less common, and mainly used for specific clothing items. Simple method such as airing can reduce the washing frequency, and thus reduce the environmental impacts resulting from the cleaning of clothes.

Click here to read the full article (oda.oslomet.no)

Wool you wear it? – woollen garments in Norway and the United Kingdom

Marie Hebrok, Ingun G. Klepp & Joanne Turney

Abstract

This article was developed from the project ‘Valuing Norwegian Wool’ initiated by the Norwegian National Institute for Consumer Research to generate knowledge on how wool can contribute to sustainable textile consumption, and how value creation can be increased in the Norwegian wool industry. The article will compare consumer perceptions, attitudes, practices and knowledge concerning wool as a material and as garments in Norway and in the United Kingdom, through a case study of wardrobes owned by six middle-class families.

The aim is to generate knowledge about the diverse web of aspects that influence consumption of woollen garments. The wardrobe study as a method aims to include the materiality of garments in clothes research in a more direct way. Analysing the materiality in connection with the social and cultural aspects of clothes gives us a better understanding of the relations between materiality and practice.

Click here to read the full article (southampton.ac.uk)